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Interview: Actor David Oyelowo, Director Ava DuVernay of ‘Selma’

CHICAGO – One of the most vital – and contemporarily relevant – historical films is about to be released. “Selma” is the story of the titanic struggle to establish voting rights in Alabama in 1965, led by the iconic civil rights leader Dr. Martin Luther King Jr. Actor David Oyelowo portrays King, and was directed by Ava DuVernay.

Film Review: ‘Selma’ a Powerful Reminder that History Does Repeat

CHICAGO – With exquisite timing, the historical docudrama “Selma” will ring in 2015, and adds to the race-oppression-in-America debate that everything old is new again. Set in 1965, it is the courageous story of Dr. Martin Luther King Jr., and the ordinary citizens that fought for the right to vote.

HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Now You See Me’ With Jesse Eisenberg, Isla Fisher

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of the new thriller “Now You See Me” starring Jesse Eisenberg!

Film Review: Common Delivers Best Work to Date in Problematic ‘LUV’

LUV Film Review

CHICAGO – Assigned the role of World’s Worst Father Figure, Common delivers a performance so compelling that it nearly makes Sheldon Candis’ blood-soaked odyssey worth the trip. Nearly, however, is the key word. For all of it merits, this picture derails into a ditch of heavy-handed implausibility at the precise moment when it should be soaring.

Film Review: ‘The Odd Life of Timothy Green’ Misses Emotional Connection

CHICAGO – Peter Hedges’ “The Odd Life of Timothy Green” has a warm, gooey center that’s admirable in a family movie way but what’s around it can’t hold together as the lack of focus in the narrative and the rather grating performance from the young man playing its title character causes it to annoy more than entertain.

TV Review: Strong Cast Drives AMC’s Inconsistent ‘Hell on Wheels’

CHICAGO – Do you know what separates AMC from a majority of networks? The art of the ensemble. The multi-Emmy-winning casts of “Mad Men” and “Breaking Bad” are the bars against which most current dramas are measured. There were issues with some of the writing behind “The Killing” but no one ever complained about the performances. And it’s the people of “The Walking Dead” that keep it interesting.

Blu-ray Review: ‘Happy Feet Two’ Stands in Shadow of Superior Original

Happy Feet Two

CHICAGO – Pick your pun — “Happy Feet Two” stumbles, trips, and has two left feet when compared to the Academy Award-winning original. Cluttered with characters, poorly paced, and tonally inconsistent, George Miller’s follow-up to his massive hit barely registered in theaters, but comes home with a pretty strong Blu-ray release from Warner Bros.

TV News: AMC Renews ‘Hell on Wheels’ For Second Season

Hell on Wheels

CHICAGOAMC has had quite the up and down year for itself. While the basic cable network has had some behind the scenes struggles with some of its hit shows (including contract struggles for “Mad Men” and “Breaking Bad” and “The Walking Dead” showrunner Frank Darabont stepping down this past summer), the network has still had good enough ratings to renew all four of its series that ran during 2011.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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