Cloverfield

Exclusive: ‘Star Trek’ Teaser Trailer Description Surfaces Online

CHICAGO – HollywoodChicago.com on Tuesday had a trusted source post on our message boards a description of the upcoming teaser trailer for J.J. Abrams’ “Star Trek”.

Paramount Pictures Releases 25 New Production Stills For ‘Cloverfield’

CHICAGO – “Cloverfield” continues on its tear not this time with more viral marketing but with a “monster” amount of new production stills. In fact, there are so many we had to create an image gallery just to hold them all. There are 25 new images in total. The J.J. Abrams-produced film opens on Jan. 18.

New Viral Marketing Poster, TV Ads, Chalk Markings Spotted For ‘Cloverfield’

A Cloverfield poster spotted near Boston on Dec. 28, 2007

On Friday night, Peter at /Film posted a new viral marketing poster for “Cloverfield” he spotted in a theater near Boston. The film is scheduled to hit theaters on Jan. 18, 2008.

First Television Commercial For ‘Cloverfield’ Now Airing

The first television commercial for “Cloverfield” is now airing. Though this is a low-quality bootleg, you get the picture. Credit for this find goes to /Film. “Cloverfield” is scheduled to open on Jan.

Teaser Trailers Coming For ‘The Dark Knight,’ New ‘Indiana Jones,’ New ‘Star Trek’

Christian Bale as Batman in The Dark Knight

ComingSoon.net on Sunday published new details about when we should expect teaser trailers from “The Dark Knight,” “Indiana Jones and the Kingdom of the Crystal Skull” and the new “Star Trek” film.

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THEATER, TV, DVD & BLU-RAY REVIEWS

  • Eleventh Hour

    CHICAGO – There simply wasn’t space on television for both “Fringe” and “Eleventh Hour”. As soon as I saw them, I knew one or both of the fall 2008 shows would have to go. With the strong lead performances by the great Rufus Sewell and beautiful Marley Shelton, I thought “Eleventh Hour” had the edge, especially after it did pretty well in its first season.

  • Ice Age 3

    CHICAGO – When did “gentleness” first become “unhip” in children’s films? Practically every studio in America, with the exception of Pixar, feels the need to make their “all ages” entertainment as abrasive, dumb and crude as their escapism targeted at teens and simple-minded adults.

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