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Clint Eastwood

Film Review: Strange ‘15:17 to Paris’ Can’t Make the Connection

CHICAGO – What’s up with Clint Eastwood, and why in the Sam Hill did he attach himself as director to this film? Also, why was the decision made to use the actual rescuers as the actors in a true terrorist train incident? Nothing adds up in the strangely disconnected “15:17 to Paris.”

Film Review: Sofia Coppola Creates a Masterwork with ‘The Beguiled’

CHICAGO – The human-ness of being human never changes, fundamentally. The mating season arrives, and the effect makes for both great connections and bad decisions. Director Sofia Coppola emphasizes this in a reverent film production of the story called “The Beguiled.”

Film Review: Tom Hanks is Solid, But ‘Sully’ Never Really Soars

CHICAGO – “Sully” is a solid effort from Director Clint Eastwood, but it never really soars the way its supposed to. It’s a good story, helped immeasurably by Tom Hanks low key performance, but it feels unnecessary. The problem may be that the story of the pilot who pulled off the so-called “Miracle on the Hudson” is so well known, the movie can’t really add anything to it.

Interview: ‘The Last Five Years’ Director Richard LaGravenese

CHICAGO – The movie musical seems to revive every year, and writer/director Richard LaGravenese puts his spin on the genre with a modern touch. A couple, portrayed by Jeremy Jordan and Anna Kendrick, goes through the ups and downs of a relationship while belting out appropriate tunes in “The Last Five Years.”

Film Review: Lack of Full Disclosure Trips Up ‘American Sniper’

CHICAGO – A straightforward story about the military marksman Chris Kyle is pretty much told in “American Sniper,” by director Clint Eastwood. But what is left out of the movie – Kyle’s right-wing politics and a depiction of his fate – is more curious than what is actually presented.

Interview: Sienna Miller on the Home Front in ‘American Sniper’

CHICAGO – Sienna Miller creates illumination that a movie screen never forgets. From her early roles in “Alfie” and “Factory Girl,” to the more recent “Foxcatcher” and “American Sniper,” Miller adds an extra level of truth that generates expressive and notable characteristics to the roles that she portrays.

HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘American Sniper’ With Bradley Cooper

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the highly anticipated new film “American Sniper” starring Bradley Cooper from director Clint Eastwood about Chris Kyle: the most lethal sniper in U.S. military history!

Film Review: ‘Jersey Boys’ Can’t Escape Its Broadway Roots

CHICAGO – Director Clint Eastwood’s “Jersey Boys” suffers from the same inherent fundamental flaw in all of these so-called Jukebox Musicals – their stories are mere afterthoughts. You come for the songs, and suffer through the story.

Interview: From Stage to Screen for the Actors in ‘Jersey Boys’

CHICAGO – When taking a huge Broadway hit to the screen, there are a whole new set of challenges. For the actors of the new film adaptation of “Jersey Boys” – John Lloyd Young, Erich Bergen and Michael Lomenda – it involved driving lessons from director Clint Eastwood and interpreting their stage personas on film.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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