CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”
CHICAGO – What do you see in the compilation image below?
Yes, it’s nine films based on books by romance novelist Nicholas Sparks. But look more closely.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the new romantic drama “The Best of Me” starring James Marsden and Michelle Monaghan from “The Notebook” author Nicholas Sparks!
CHICAGO – “I ain’t pawning my responsibility off as a parent and saying she’s in God’s hands.” What a powerful line. The idea that religion has been used as a crutch, an excuse for communities who preach that God will save their young ones when they need to do their part is a passionate and powerful one.
CHICAGO – Is it unfair to say that “Treme” is to “The Wire” as “John From Cincinnati” was to “Deadwood”? After David Milch’s brilliant Western came to an end, fans eagerly anticipated his follow-up and, almost immediately, spat it out like an undercooked Chicken McNugget. It lasted only one season. Well, “JFC” wasn’t really that bad (and deserved more time to find its feet).
CHICAGO – “If you join the CIA, will you be able to separate your work from your personal life?” Such is the dilemma of “Covert Affairs,” a show about a tough-as-nails agent named Annie Walker (Piper Perabo) that conceptually seems to fit snugly into the USA Network model of hit, character-driven mysteries, but it’s going to take some serious work to improve on a deeply-flawed premiere.
CHICAGO – For fans of “The Wire,” expectations are ludicrously high for HBO’s “Treme” (pronounced “tre-MAY”), the newest dramatic work from David Simon and Eric Overmyer.