Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – “I ain’t pawning my responsibility off as a parent and saying she’s in God’s hands.” What a powerful line. The idea that religion has been used as a crutch, an excuse for communities who preach that God will save their young ones when they need to do their part is a passionate and powerful one.
CHICAGO – Is it unfair to say that “Treme” is to “The Wire” as “John From Cincinnati” was to “Deadwood”? After David Milch’s brilliant Western came to an end, fans eagerly anticipated his follow-up and, almost immediately, spat it out like an undercooked Chicken McNugget. It lasted only one season. Well, “JFC” wasn’t really that bad (and deserved more time to find its feet).
CHICAGO – “If you join the CIA, will you be able to separate your work from your personal life?” Such is the dilemma of “Covert Affairs,” a show about a tough-as-nails agent named Annie Walker (Piper Perabo) that conceptually seems to fit snugly into the USA Network model of hit, character-driven mysteries, but it’s going to take some serious work to improve on a deeply-flawed premiere.
CHICAGO – For fans of “The Wire,” expectations are ludicrously high for HBO’s “Treme” (pronounced “tre-MAY”), the newest dramatic work from David Simon and Eric Overmyer.