CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
CHICAGO – “I ain’t pawning my responsibility off as a parent and saying she’s in God’s hands.” What a powerful line. The idea that religion has been used as a crutch, an excuse for communities who preach that God will save their young ones when they need to do their part is a passionate and powerful one.
CHICAGO – Is it unfair to say that “Treme” is to “The Wire” as “John From Cincinnati” was to “Deadwood”? After David Milch’s brilliant Western came to an end, fans eagerly anticipated his follow-up and, almost immediately, spat it out like an undercooked Chicken McNugget. It lasted only one season. Well, “JFC” wasn’t really that bad (and deserved more time to find its feet).
CHICAGO – “If you join the CIA, will you be able to separate your work from your personal life?” Such is the dilemma of “Covert Affairs,” a show about a tough-as-nails agent named Annie Walker (Piper Perabo) that conceptually seems to fit snugly into the USA Network model of hit, character-driven mysteries, but it’s going to take some serious work to improve on a deeply-flawed premiere.
CHICAGO – For fans of “The Wire,” expectations are ludicrously high for HBO’s “Treme” (pronounced “tre-MAY”), the newest dramatic work from David Simon and Eric Overmyer.