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Clarke Peters

Film Review: Spike Lee Returns to Brooklyn in ‘Red Hook Summer’

CHICAGO – “I ain’t pawning my responsibility off as a parent and saying she’s in God’s hands.” What a powerful line. The idea that religion has been used as a crutch, an excuse for communities who preach that God will save their young ones when they need to do their part is a passionate and powerful one.

Blu-Ray Review: Underappreciated First Season of HBO’s ‘Treme’

Treme

CHICAGO – Is it unfair to say that “Treme” is to “The Wire” as “John From Cincinnati” was to “Deadwood”? After David Milch’s brilliant Western came to an end, fans eagerly anticipated his follow-up and, almost immediately, spat it out like an undercooked Chicken McNugget. It lasted only one season. Well, “JFC” wasn’t really that bad (and deserved more time to find its feet).

TV Review: Weak Writing Blows Cover of ‘Covert Affairs’

CHICAGO – “If you join the CIA, will you be able to separate your work from your personal life?” Such is the dilemma of “Covert Affairs,” a show about a tough-as-nails agent named Annie Walker (Piper Perabo) that conceptually seems to fit snugly into the USA Network model of hit, character-driven mysteries, but it’s going to take some serious work to improve on a deeply-flawed premiere.

TV Review: Flawless, Mesmerizing Rhythm of HBO’s ‘Treme’

CHICAGO – For fans of “The Wire,” expectations are ludicrously high for HBO’s “Treme” (pronounced “tre-MAY”), the newest dramatic work from David Simon and Eric Overmyer.

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  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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