CHICAGO – The story of “Little Women,” by Louisa May Alcott, has been an American institution since its publication in 1869. The story of four girls-to-little-women during the American Civil War, with their indomitable mother holding down the household while their father is away in the war, was a perfect candidate to become a Broadway musical. The Brown Paper Box Co. (BPBCo) is currently presenting a brilliant adaptation of that musical for the storefront stage, and its emotion, music craft and energy is nothing sort of a triumph… this small theater company that could does it again. The show has various evening/matinee performances at the The Strawdog Theatre in Chicago through February 9th, 2018. Click here for more details, including ticket information.
Claes Bang
Film Review: Story Spins Out of Reach for ‘The Girl in the Spider’s Web’
Submitted by PatrickMcD on November 9, 2018 - 4:30pm- Claes Bang
- Claire Foy
- Columbia Pictures
- Fede Alvarez
- HollywoodChicago.com Content
- Lakeith Stanfield
- Lisbeth Salander
- Movie Review
- Patrick McDonald
- Rooney Mara
- Steig Larsson
- Stephen Merchant
- Stockholm
- Sverrir Gudnason
- Sylvia Hooks
- The Girl in the Spider’s Web
- The Girl With the Dragon Tattoo
- Vicky Krieps
CHICAGO – There is nothing wrong with revisiting The Girl with the Dragon Tattoo. That tattoo has made beaucoup bucks in book and film forms (both foreign language and Americanized versions), and Claire Foy taking over for Rooney Mara in the title role is seamless. So why the totally lackluster story? Is this a narrative source problem?
Film Review: Art & Real World Taken to Task in Angular ‘The Square’
Submitted by PatrickMcD on November 23, 2017 - 12:54pmCHICAGO – Recently, the record for highest bid ever on a work of art was shattered – $450 million for Leonardo da Vinci’s ‘Salvador Mundi’ – and the ownership of a canvas, for the price of supporting a small country, calls into question the meaning of art and collecting. All of this, and everything more, is generated in the cinematic rendering of “The Square.”
