CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
Cirque Du Soleil
CHICAGO – Contrary to what James Cameron may have you believe, a 3D movie theater is not the best venue to showcase the super-human physical feats of Cirque du Soleil. In fact, it’s a pretty awful substitute for the visceral thrill of a live performance. The audience experiences it like an English-speaking agnostic attending a Latin mass—there’s plenty of loud pageantry on display, but none of it makes any sense.
CHICAGO – In a move that I can only describe as head-scratching, the 84th Academy Awards producers Brian Grazer and Don Mischer have invited Cirque du Soleil to perform at this year’s Oscar ceremony. The decision is not head-scratching because Cirque du Soleil is a bad act, but because they have cancelled other performances that actually pertain completely to this year’s awards to make room for other parts of the telecast.
CHICAGO – The confetti-filled, fist-pumping import “Fuerza Bruta: Look Up” recently stormed into Chicago’s Auditorium Theatre stage. Lauded by audiences as an experience the bridges the gap between the fervor of a night club and the aesthetics of traditional theatre, the production is known for its use of 360 degree spectacle. Diqui James, the co-creator and Artistic Director of the piece, recently caught of with ShowBiz Chicago to discuss the concept of the hands-on “Fuerza Bruta”, and why the art may just be in the discovery.