CHICAGO – The awesomeness of history loses any of its stuffiness with the incredibly fun, indeed educational show “Drunk History” from Comedy Central, its two seasons now released on DVD. Hosted by its creator Derek Waters, the show is a celebration of various historic figures and their under-appreciated true tales, as expressed by funny people narrating in the universal language of inebriation; their recounts are then reenacted by famous actors working with their given dialogue, dressed with the comic cheapness of a bloated biopic.
Cirque Du Soleil
CHICAGO – Contrary to what James Cameron may have you believe, a 3D movie theater is not the best venue to showcase the super-human physical feats of Cirque du Soleil. In fact, it’s a pretty awful substitute for the visceral thrill of a live performance. The audience experiences it like an English-speaking agnostic attending a Latin mass—there’s plenty of loud pageantry on display, but none of it makes any sense.
CHICAGO – In a move that I can only describe as head-scratching, the 84th Academy Awards producers Brian Grazer and Don Mischer have invited Cirque du Soleil to perform at this year’s Oscar ceremony. The decision is not head-scratching because Cirque du Soleil is a bad act, but because they have cancelled other performances that actually pertain completely to this year’s awards to make room for other parts of the telecast.
CHICAGO – The confetti-filled, fist-pumping import “Fuerza Bruta: Look Up” recently stormed into Chicago’s Auditorium Theatre stage. Lauded by audiences as an experience the bridges the gap between the fervor of a night club and the aesthetics of traditional theatre, the production is known for its use of 360 degree spectacle. Diqui James, the co-creator and Artistic Director of the piece, recently caught of with ShowBiz Chicago to discuss the concept of the hands-on “Fuerza Bruta”, and why the art may just be in the discovery.