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Christopher Eccleston

Film Review: Forced ‘Thor: The Dark World’ Sequel Lacks Passion, Sci-Fi Basis

CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.

Film Review: ‘Thor: The Dark World’ is Little More Than Marketing For ‘The Avengers 2’

CHICAGO – Few major films have felt less creatively inspired and more commercially conceived than Alan Taylor’s dull “Thor: The Dark World,” a wannabe blockbuster with all the personality and ingenuity of a straight-to-DVD sequel.

DVD Review: Danny Boyle’s Memorable Debut in Hitchcockian ‘Shallow Grave’

Shallow Grave

CHICAGO – Danny Boyle’s “Shallow Grave,” recently released on Criterion Blu-ray and DVD, is such a striking debut and has held up significantly better than many films of its day. Not only does it fully display future Oscar winner Danny Boyle’s notable degree of style but it’s a daring film in its willingness to present unlikable characters caught in a situation that they arguably deserve.

TV Review of ‘Doctor Who’: New Team, Same Great Show

CHICAGO – The eleventh doctor makes his debut tonight on the highly anticipated BBC America season premiere of the great “Doctor Who,” one of the most purely entertaining shows on television.

Blu-Ray Review: Dull ‘Amelia’ Should Be Grounded

Amelia

CHICAGO – It seems downright sad that “Amelia,” a movie that was so widely predicted to be a part of the 2009 awards season, would be released on Blu-ray and DVD on the same day as the Oscar announcements. On paper, “Amelia” seemed like Oscar bait through and through with important subject matter headlined by one of the few women to have more than one Oscar. On Blu-ray, it’s easy to see why this cinematic plane crashed and burned.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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