Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
Butch Cassidy and the Sundance Kid
CHICAGO – I frankly can’t imagine how any moviegoer could favor Mateo Gil’s somber, low-key genre exercise, “Blackthorn,” over George Roy Hill’s marvelously entertaining 1969 classic, “Butch Cassidy and the Sundance Kid.” Sure, Western buffs have often criticized Hill’s film for romanticizing its subject matter, yet there was a dark edge and tragic poignance in William Goldman’s script that earned the film its shattering ending.
CHICAGO – He was cooler than you. He was cooler than me. He was Cool Hand Luke. Paul Newman – an activist, philanthropist, race car driver and one of the most legendary movie stars of the post studio system era – died on Friday of cancer at his farmhouse near Westport, Conn.