CHICAGO – In “References to Salvador Dali Makes Me Hot,” now at the Den Theatre in Chicago through September 7th, the intersect of author José Rivera and the strong cast of actors make for a formidable partnership. Committed and passionate interpreters take both the soft and edgy parts of the narrative to task.
CHICAGO – Sex sells, sure, but the film-noir sequel “Sin City: A Dame to Kill For” makes you feel dirty if you’re left thinking that’s enough.
CHICAGO – When the first “Sin City” (2005) was released – based on the graphic novels by Frank Miller – the conversion of a film to a noir-like comic book atmosphere was pioneering. The sequel “Sin City: A Dame to Kill For” has heightened that look, but this time has much less to say.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the highly anticipated Frank Miller and Robert Rodriguez sequel “Sin City: A Dame to Kill For”!
CHICAGO – “G.I. Joe: Retaliation” may have been overly slammed by critics but audiences definitely liked the film, pushing it to over $370 million worldwide, more than 20% more than its predecessor (even if the domestic total for the sequel was less than the first film). Paramount has put together a solid release for the film, including over an hour of behind-the-scenes featurettes, deleted scenes, a commentary track, and a great transfer. It’s what one wants from a major theatrical Blu-ray.
CHICAGO – If you didn’t see the DC Entertainment splash screen when this “Red 2” sequel kicks off with the fake death of one of its usual suspects, you wouldn’t mind that the rest of the film feels nothing like a comic book movie except for its animated transitions between scenes.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening movie passes up for grabs to the highly anticipated sequel “Red 2” starring Bruce Willis!
CHICAGO – Christopher Nolan’s “Dark Knight” trilogy can’t be blamed for the deteriorating state of modern action films any more than Steven Spielberg’s “Jaws” can be held accountable for commercializing American cinema. Yet the spectacular box office performance of Nolan’s terrific series has naturally caused studios to misinterpret the root of their success.
CHICAGO – “G.I. Joe: Retaliation” is the kind of dumb summer action blockbuster that works in the season when the kids aren’t in school and the movie theater is used as an excuse to get in the air conditioning as much as see anything approaching filmmaking. It nearly works in March. Nearly.
CHICAGO – Every once in a Hollywood while, a true head-scratcher comes along. How on Earth did this movie, with this many talented people involved, end up so boring? If you told me that Stephen Frears (“The Grifters,” “The Queen”) was re-teaming with his “High Fidelity” scribe D.V. DeVincentis on a dramedy with the great Rebecca Hall and Bruce Willis, I would probably put that flick on a highly-anticipated list.
CHICAGO – The franchise has been in steady decline since the original “Die Hard,” quite simply one of the best action films of all time, but that still doesn’t prepare one for the truly horrendous “A Good to Day to Die Hard,” a complete waste of time on every level.