CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – “The Age of Adaline” is a beautifully shot featherweight fantasy that remains charming as long as you don’t think about it too hard, or at all. At one point one character asks another why he loves Adaline, and he replies “because she makes no sense.” The same could be said for this movie.
CHICAGO – Perhaps acknowledging that his status amongst Hollywood muckrakers has diminished in recent years, Oliver Stone follows up his toothless Bush biopic and needless “Wall Street” sequel with a wholly inconsequential yet thoroughly diverting little thriller. It’s pure trash that also happens to be Stone’s most compulsively watchable effort since 1995’s “Nixon.”
CHICAGO – Director Oliver Stone sees a controversy, and comments on a controversy, in his own distinctive cinematic style. The new film “Savages” is no exception, taking on the U.S./Mexican marijuana wars, with performances by Blake Lively, Taylor Kitsch, Aaron Johnson, Salma Hayek and John Travolta.
CHICAGO – Oliver Stone is back! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the highly anticipated new Oliver Stone film “Savages”!
CHICAGO – It’s understandable that people from the Southern or rural United States would criticize the general media. With films like “Hick,” which generally portray them as idiots or sociopathic, there is no balance or honest characterizations. Chloe Moretz, Blake Lively, Eddie Redmayne and Alec Baldwin add their take on it all.
CHICAGO – It’s only been a couple of years but Ben Affleck’s “The Town” already feels like more of a modern classic than it did upon its release. There are some elements of the film that still falter for this critic (most of them related to the Affleck-Hall relationship and lack of chemistry within it) although they’ve become nearly overwhelmed by what DOES work about this engaging, tight thriller. He’s only made two films (“Gone Baby Gone” before this and this fall’s “Argo” will be his third) but I honestly feel like Ben Affleck will be a better director than an actor (and I’ve always thought him an underrated actor).
CHICAGO – After the abysmal theatrical reviews, I thought it would be easier to completely dismiss “Green Lantern,” the least-acclaimed and least-profitable of the Summer 2011 Superhero Quartet (which also included “X-Men: First Class,” “Thor,” and “Captain America: The First Avenger” — and I would rank them in that order in terms of quality with “GL” bringing up the rear). The fact is that this is not an “Elektra” or “Ghost Rider”-level mess. There are things about Martin Campbell’s film that work, especially in the first half, but a goofy story and aesthetic ultimately sink the film to cartoonish levels.
CHICAGO – Fans that were excited for the possibility of a third “Sex and the City” film may be disappointed at the news the movie will be put on hold. However, the fix to see Carrie, Samantha, Charlotte, and Miranda could still be filled.
CHICAGO – You may have seen the Ryan Reynolds superhero vehicle “Green Lantern” and want to bring the adventure home or see how it translates with a controller in your hand. The movie disappointed most critics and fell short of box office expectations? How does the game compare?
CHICAGO – The tipping point is close approaching in the super hero movie aura, especially as the B-list get their moment in the projection machine. “Green Lantern,” featuring Ryan Reynolds, stays true to its comic book roots, but lacks any cohesive passion within the main story.