CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.
CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.
CHICAGO – David E. Kelley is one of the most influential and important TV voices of the modern era with massive hits like “L.A. Law,” “Picket Fences,” “Chicago Hope,” “The Practice,” “Ally McBeal,” “Boston Public,” and “Boston Legal”. However, it’s been a few years and a few failures for Kelley in the recent past and he’s overdue for another hit. Maybe it will be TNT’s “Monday Mornings,” premiering tonight and delivering in unexpectedly successful ways.
CHICAGO – The subject of religion in America is rarely portrayed honestly in the movies, with its power to both inspire or offend. Vera Farmiga makes her directorial debut and plays the lead character in the religious-themed “Higher Ground.”
CHICAGO – What happens after the final bell rings in the life of a boxer? FX’s drama centers around a character who goes from having a bloody cut above his eye sewn shut to making breakfast for his daughters within the first few scenes.