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Bill Irwin

Film Review: ‘Interstellar’ is Supposed to Mean Something, But What?

Interstellar 2

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Film Review: Miscast Crew Spoils Christopher Nolan’s ‘Interstellar’ 

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

TV Review: David E. Kelley Returns with Effective ‘Monday Mornings’

CHICAGO – David E. Kelley is one of the most influential and important TV voices of the modern era with massive hits like “L.A. Law,” “Picket Fences,” “Chicago Hope,” “The Practice,” “Ally McBeal,” “Boston Public,” and “Boston Legal”. However, it’s been a few years and a few failures for Kelley in the recent past and he’s overdue for another hit. Maybe it will be TNT’s “Monday Mornings,” premiering tonight and delivering in unexpectedly successful ways.

Film Review: Vera Farmiga Wrestles Religion in ‘Higher Ground’

CHICAGO – The subject of religion in America is rarely portrayed honestly in the movies, with its power to both inspire or offend. Vera Farmiga makes her directorial debut and plays the lead character in the religious-themed “Higher Ground.”

TV Review: FX Boxing Drama ‘Lights Out’ Balances Cliché With Character

CHICAGO – What happens after the final bell rings in the life of a boxer? FX’s drama centers around a character who goes from having a bloody cut above his eye sewn shut to making breakfast for his daughters within the first few scenes.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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