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Beth Riesgraf

TV Review: Fourth Season Premiere of TNT’s ‘Leverage’

CHICAGO – The game is on and the gang is back in TNT Network’s “Leverage,” premiering its fourth season on June 26th. Oscar winner Timothy Hutton is again ready to lead his team of con artists, grifters and hackers to stick it to the man.

TV Review: TNT’s ‘Leverage’ Returns For Promising Summer Season

Leverage S3

CHICAGO – The team behind “Leverage,” including producer/director Dean Devlin and star Timothy Hutton are back with a headline-grabbing summer diversion. With articles calling for the head of BP and reports on the continued economic crisis, this “Robin Hood” for the modern age or “Ocean’s 11” if Danny Ocean were a bit more philanthropic is as timely as the day it premiered. And it’s more consistently entertaining.

DVD, TV Review: TNT’s ‘Leverage’ Delivers Entertainment Despite Flaws

Leverage

CHICAGO – In a world where corporate bailouts and scumbags like Bernie Madoff dominate the news, it would seem like TNT’s “Leverage” would be a natural choice for a summer diversion.

Interview: Oscar Winner Timothy Hutton, Gina Bellman on TNT’s New ‘Leverage’ Series

CHICAGO – After hearing comical interpretations of leverage from HollywoodChicago.com readers – including “taking someone’s pet hostage,” “having goons, paying them well and feeding them well” and a “push-up bra” – Academy Award-winning actor Timothy Hutton jumped into his “Leverage” character and said it’s just one matter-of-fact word: “power”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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