CHICAGO - Look past the cheesy carbs and b-boy poses, this shiny mo-cap reboot of cartoon juggernaut “Teenage Mutant Ninja Turtles” offers slick entertainment that makes for a welcome surprise for middle school fare. Proving that executive producer Michael Bay has both grown up but it still frightfully in tune with what jazzes teens, this surprise box office hit is indeed a nice slice of a blockbuster spectacle, whether or not a viewer cares about the turtles or not.
Benicio Del Toro
HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘The Usual Suspects’ Hosted By Adam Fendelman, Matt FagerholmSubmitted by HollywoodChicago.com on April 25, 2013 - 10:11pm
CHICAGO – Keyser Söze returns for one night only! On behalf of the Chicago Film Critics Association, HollywoodChicago.com critics Adam Fendelman and Matt Fagerholm have the rare honor to host movie lovers like you and bring one of the greatest mysteries back to the big screen!
CHICAGO – Perhaps acknowledging that his status amongst Hollywood muckrakers has diminished in recent years, Oliver Stone follows up his toothless Bush biopic and needless “Wall Street” sequel with a wholly inconsequential yet thoroughly diverting little thriller. It’s pure trash that also happens to be Stone’s most compulsively watchable effort since 1995’s “Nixon.”
CHICAGO – Director Oliver Stone sees a controversy, and comments on a controversy, in his own distinctive cinematic style. The new film “Savages” is no exception, taking on the U.S./Mexican marijuana wars, with performances by Blake Lively, Taylor Kitsch, Aaron Johnson, Salma Hayek and John Travolta.
CHICAGO – Oliver Stone is back! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the highly anticipated new Oliver Stone film “Savages”!
CHICAGO – As his excellent “Haywire” plays in theaters and his even-better “Contagion” was recently released on Blu-ray and DVD, one is reminded of the incredible talent of Steven Soderbergh, one of the best living directors. But “Contagion” and “Haywire,” while enjoyable, don’t hold a candle to this incredible filmmaker’s best films, which include “Sex, Lies, and Videotape,” “Out of Sight,” “Che,” and, recently released on Criterion Blu-ray and DVD, the Oscar-winning “Traffic.” This is one of Criterion’s best releases for one of the ‘00’s best films.
CHICAGO – I have a love-hate relationship with Terry Gilliam’s “Fear and Loathing in Las Vegas” but it’s a lot easier to fall on the former side of that dynamic with the simply amazing Criterion Collection release of the Johnny Depp & Benicio Del Toro drug epic, recently released on Blu-ray. With a stunning transfer enhanced by some of the best special features of the year to date, this is the kind of Blu-ray release that makes the actual movie better.
CHICAGO – A great Blu-ray can come from the most unexpected places. Who would have guessed that the relatively disappointing “The Wolfman” with Benicio Del Toro, Emily Blunt, and Anthony Hopkins would result in one of the best Blu-ray releases of the year to date? With a superior version of the film, perfect HD, and amazing special features, this is a spectacular release.
CHICAGO – Joe Johnston’s “The Wolfman” nearly works. The Benicio Del Toro vehicle has a strong supporting cast, a few striking visual compositions, and at least one must-see sequence, but it misses the mark as a complete film, never quite as compelling or entertaining as it could or should have been.
CHICAGO – I know what you’re thinking: What do “Fear and Loathing in Las Vegas” and “Mystic River” have in common? Nothing at all other than a Blu-ray release date of February 2nd, 2010. Oh, and they’re two films you should probably own if you have a Blu-ray player.
CHICAGO – Steven Soderbergh’s “Che” is one of the most underrated and misunderstood films of the ’00s. It features not only one of the best performances of the last several years from the great Benicio Del Toro but this challenging biopic should have been embraced by all the critics and audience members who are constantly lamenting the lack of filmmakers willing to take risks and provoke discussion.