CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – The best way, perhaps the only way, to enjoy the disaster movie “San Andreas” is to check your brain at the door, or better yet leave it at home for safekeeping. Bringing new meaning to the term mindless entertainment, “San Andreas” dares its audience to turn off their minds, and enjoy the ride.
Film Review: Terribly Scripted ‘San Andreas’ With Dwayne Johnson a Heartless Special Effects SpectacleSubmitted by HollywoodChicago.com on May 29, 2015 - 2:26pm
CHICAGO – When the story is as weak as the film’s fault lines and the character development never develops, the problem with blowing $100 million mostly on special effects is all you’re left with is unintelligent disaster porn.
CHICAGO – Whenever a TV critic argues that network TV drama is dead and that it’s all moved to basic cable, there’s usually a solitary show that they point to as the exception — CBS’s “The Good Wife.” This critical darling, an Emmy winner for Best Actress in Dramatic Series last year (and Supporting Actress the year before and multiple nominee for this season), was recently released in a modest third-season DVD set from CBS and Paramount. It’s disappointing that the show isn’t available in HD and the special features are pretty light for what is arguably network TV’s best remaining drama.
CHICAGO – CBS’s “Blue Bloods” and “The Good Wife,” both recently released on DVD (first season for the former, second season for the latter), were interesting stories in April of this year as ratings watchdogs expressed concerns that either or both could be canceled despite loyal fan bases. Both were given the reprieve because they have viewers who just won’t give up on them. See why with this stellar pair of releases.
CHICAGO – From the non-stop ads (especially the ones that played all weekend locally with Bill Kurtis), you would be forgiven for thinking that CBS’ “The Good Wife” was solely about a scorned woman who enjoys slapping her lothario husband. There’s a lot more to the drama than that overplayed scene and the potential of the show is in the promise of watching a strong female character get past that moment, not play it over and over again.