Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – If the original is anything to applaud, the sequel usually isn’t. And even more rarely is the sequel actually better.
CHICAGO – In record-breaking time, even for Marvel, a comic book character has had their existence (basically) rebooted. The arc may be continued from the previous film, and some of the actors may reappear, but this take on Captain America is bonafide divergent.
CHICAGO – ABC’s new sitcom “Happy Endings” is undeniably yet another “Friends” rip-off, an attempt to make a pal-com about relationships, misunderstandings, and good buddies. I’ve seen enough of these things that I automatically get a bit defensive when they appear on my desk. If you sat through junk like “Traffic Light” and “Perfect Couples,” you would too.
CHICAGO – The deadpan wit of Joel McHale works brilliantly on “The Soup” and he delivers excellent work in the “The Informant!,” but there’s something about it that doesn’t translate to sitcom television.