CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – If the original is anything to applaud, the sequel usually isn’t. And even more rarely is the sequel actually better.
CHICAGO – In record-breaking time, even for Marvel, a comic book character has had their existence (basically) rebooted. The arc may be continued from the previous film, and some of the actors may reappear, but this take on Captain America is bonafide divergent.
CHICAGO – ABC’s new sitcom “Happy Endings” is undeniably yet another “Friends” rip-off, an attempt to make a pal-com about relationships, misunderstandings, and good buddies. I’ve seen enough of these things that I automatically get a bit defensive when they appear on my desk. If you sat through junk like “Traffic Light” and “Perfect Couples,” you would too.
CHICAGO – The deadpan wit of Joel McHale works brilliantly on “The Soup” and he delivers excellent work in the “The Informant!,” but there’s something about it that doesn’t translate to sitcom television.