Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – This upcoming Halloween will give you dozens of options in theaters and on Blu-ray to choose from for your scary dollar. You may have dismissed Wes Craven’s latest entry in the most influential franchise of the last twenty years. Don’t. Sure, the “Scream” movies are over the hill, more so than I think The Weinstein Company expected as evidenced by the pathetic box office returns (less than 50% of the last “Scream” movie and less than $100 million worldwide (the first three broke $150), but this is a fun genre flick. If you wrote this movie off in theaters, you might be surprised to learn that it’s worth a rental.
CHICAGO – Wes Craven’s legendary franchise returns this weekend with a decade since its last installment and to a genre that has been almost entirely bereft of creativity since its director started to lose his prominence as one of its best. Can “Scre4m” rejuvenate the slasher genre like the first film did or will it fall victim to the rule that horror sequels almost always suck?
CHICAGO – This 41-image slideshow contains red carpet images of celebrities arriving at the Los Angeles premiere of “Shrek Forever After” on May 16th, 2010. Celebrities in attendance include Cameron Diaz, Eddie Murphy, Mike Myers, Antonio Banderas, Lake Bell, Steven Spielberg, and more.
CHICAGO – As the late, great Sophia Petrillo of “The Golden Girls” might have philosophized, “Picture it: September 13, 1990.” When “Law & Order” premiere, “The Internet” and “Email” were barely words, “mobile phones” looked like portable hair dryers, and Google, Yahoo, and AOL weren’t even gleams in Bill Gates’ eyeglasses — let alone Twitter, MySpace, Facebook, and YouTube. HBO and Showtime had yet to produce A-list hour dramas, and F/X, TNT, AMC, and USA had yet to produce anything more than the occasional TV-movie at all.