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Anne Dudek

TV Review: USA Heats Up Summer with ‘White Collar,’ ‘Covert Affairs’

CHICAGO – Two of cable’s sexiest shows return tonight with the season premieres of USA’s “White Collar” and “Covert Affairs,” airing back-to-back at 8pm and 9pm CST, respectively. Whatever one can say critically about these inconsistent programs, it’s impossible to deny the fact that women swoon for Matt Bomer and men drool over Piper Perabo.

TV Review: ‘Covert Affairs’ Puts the Team Back in the CIA

CHICAGO – In an era where America’s budget concerns are front and center, a TV series celebrating the awesomeness of the CIA seems a bit ill-timed. Piper Perabo portrays an undercover operative in the second season premiere of USA Network’s “Covert Affairs.”

HollywoodChicago.com Hookup: Prize Pack For USA Network’s ‘Covert Affairs’ With Piper Perabo

CHICAGO – In our latest edition of HollywoodChicago.com Hookup: TV, we have one prize pack up for grabs for USA Network’s “Covert Affairs” with Piper Perabo from the producer of “The Bourne Identity,” “The Bourne Supremacy” and “The Bourne Ultimatum”!

TV Review: Weak Writing Blows Cover of ‘Covert Affairs’

CHICAGO – “If you join the CIA, will you be able to separate your work from your personal life?” Such is the dilemma of “Covert Affairs,” a show about a tough-as-nails agent named Annie Walker (Piper Perabo) that conceptually seems to fit snugly into the USA Network model of hit, character-driven mysteries, but it’s going to take some serious work to improve on a deeply-flawed premiere.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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