CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”
HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘London Has Fallen’ With Gerard Butler, Aaron EckhartSubmitted by HollywoodChicago.com on March 1, 2016 - 11:50am
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the “Olympus Has Fallen” sequel “London Has Fallen” starring Gerard Butler and Aaron Eckhart!
CHICAGO – The Red Carpet in Chicago was rolled out in maximum fashion for the November 22nd, 2015, premiere of director Spike Lee’s new film, “Chi-raq.” Despite its controversial title, the city has embraced the film’s metaphoric plea for sanity, and the premiere took place at the historic Chicago Theatre on State Street. Stars of the film, including Nick Cannon, Teyonah Parris, John Cusack, Jennifer Hudson, Wesley Snipes and director Spike Lee were all in attendance, and HollywoodChicago.com photographer Joe Arce got Exclusive Portraits of them all.
CHICAGO – A spotlight on Chicago, in the context of guns and violence, is never a good thing for the overall community. But using Chicago as a metaphor for all violent insanity, and making a plea for peace, is the purpose of director Spike Lee’s new film, “Chi-raq.”
CHICAGO – Take this with a giant grain of salt but FX’s “American Horror Story: Coven” shows incredible promise in its premiere episode tonight, setting a number of creative plates spinning in directions that could be fascinating. Why the salt? Well, “American Horror Story: Asylum” started with similar promise and quickly became cluttered and unfocused.
CHICAGO – Antoine Fuqua’s “Olympus Has Fallen” (or “Die Hard in the White House”) is a stupid, exploitative movie that wants to be “Call of Duty: Black Ops” in film form but ends up more like one of its countless, ineffective rip-offs. There are moments of goofy, B-movie fun (certainly more of them than in the much-worse “A Good Day to Die Hard”) but not enough to get over the brutal nonsense that makes up most of this action flick.
CHICAGO – The upcoming political action thriller “Olympus Has Fallen” has a familiar director behind it, the inventive Antoine Fuqua. Known best for “Training Day,” which won the Best Actor Oscar for Denzel Washington, he also directed ‘The Replacement Killers” (1998), “Shooter” (2007) and “Brooklyn’s Finest” (2009).
CHICAGO – McG’s “This Means War” with Chris Pine, Tom Hardy, and Reese Witherspoon is an aggressively annoying movie. It isn’t just bad. It grates. It frustrates. It baffles with its incompetence.
CHICAGO – Spike Lee has been getting national buzz again after the Sundance premiere of his controversial “Red Hook Summer” and the ageless Denzel Washington is back in the spotlight as his latest action vehicle, “Safe House,” premieres in theaters on Friday. It seems a perfect time for a Blu-ray release to bring audiences back to one of their career highlights. Over twenty years ago, the two collaborated on their most artistically rewarding venture, the epic “Malcolm X,” a fantastic film that has held up remarkably well, in no small part due to the excellent HD transfer from Warner Bros.
CHICAGO – After the abysmal theatrical reviews, I thought it would be easier to completely dismiss “Green Lantern,” the least-acclaimed and least-profitable of the Summer 2011 Superhero Quartet (which also included “X-Men: First Class,” “Thor,” and “Captain America: The First Avenger” — and I would rank them in that order in terms of quality with “GL” bringing up the rear). The fact is that this is not an “Elektra” or “Ghost Rider”-level mess. There are things about Martin Campbell’s film that work, especially in the first half, but a goofy story and aesthetic ultimately sink the film to cartoonish levels.
CHICAGO – Salim Akil’s “Jumping the Broom” is the sort of sociological comedy so hell-bent on smothering the audience in a sentimental love-fest that it quickly softens its potentially biting premise. Akil’s background in television (“The Game,” “Girlfriends”) may explain why the film feels like an uneasy melding of sitcom and soap opera clichés. Any time the film threatens to become interesting, it instantly goes into autopilot.