CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – Written by the man who gave the world Keyser Soze in his Oscar-winning script for “The Usual Suspects,” NBC’s “Persons Unknown” is a summer mystery mini-series not unlike last year’s “Harper’s Island” or a mini-“Lost” in that the team behind it want people talking about the questions of the show over summer barbecues.
CHICAGO – Chris Columbus is not a filmmaker renowned for his use of subtlety. He seems incapable of telling a relatable human story without relying on his trademark brand of sophomoric slapstick. I was surprised that Macaulay Culkin didn’t pop up in Columbus’s “Rent,” and start hurling paint cans at the characters during their “Seasons of Love.” Even at age 51, Columbus is still an unruly child at heart.
CHICAGO – In what could be the worst mainstream release of the summer, “I Love You, Beth Cooper” wastes talent, production values and ultimately time in a cliché-ridden mess that produces little or no real love.
CHICAGO – Get on your dancing shoes before you hit the floor for the latest version of the toe-tapping Blu-Ray Round-Up, a special edition with three beloved flicks from the ’70s and ’80s with musical beats.