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Alan Ruck

TV Review: NBC Mystery Series ‘Persons Unknown’ is Worth Meeting

CHICAGO – Written by the man who gave the world Keyser Soze in his Oscar-winning script for “The Usual Suspects,” NBC’s “Persons Unknown” is a summer mystery mini-series not unlike last year’s “Harper’s Island” or a mini-“Lost” in that the team behind it want people talking about the questions of the show over summer barbecues.

Blu-Ray Review: ‘I Love You, Beth Cooper’ Inspires Nothing But Hate

I Love You, Beth Cooper

CHICAGO – Chris Columbus is not a filmmaker renowned for his use of subtlety. He seems incapable of telling a relatable human story without relying on his trademark brand of sophomoric slapstick. I was surprised that Macaulay Culkin didn’t pop up in Columbus’s “Rent,” and start hurling paint cans at the characters during their “Seasons of Love.” Even at age 51, Columbus is still an unruly child at heart.

‘I Love You, Beth Cooper’ Inspires Hatred For the High School Genre

BethCooperFront.jpg
HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – In what could be the worst mainstream release of the summer, “I Love You, Beth Cooper” wastes talent, production values and ultimately time in a cliché-ridden mess that produces little or no real love.

Blu-Ray Round Up, May 5, 2009: ‘Ferris Bueller’s Day Off,’ ‘Grease,’ ‘Saturday Night Fever’

Grease

CHICAGO – Get on your dancing shoes before you hit the floor for the latest version of the toe-tapping Blu-Ray Round-Up, a special edition with three beloved flicks from the ’70s and ’80s with musical beats.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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