Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Ben Stiller plays Walter Mitty: a man whose constant daydreams about life are interrupted by a series of real-life adventures that may or may not help him find love and save his job. This is a sweet-tempered and often visually spectacular film. It has the guts to be really weird at times as well. The end result? The film is entertaining, but it’s just too scattered to really imprint on the average viewer. That’s too bad because Ben Stiller distinguishes himself here in way that real cineastes will appreciate.
I so want to love Ben Stiller’s “The Secret Life of Walter Mitty.” Stiller’s directorial work on films like “The Cable Guy” and “Tropic Thunder” was underrated, the source material is great, the message of living in the moment has more value in an increasingly cluttered world, and the time seems right for an imaginative journey into the mind of a likable protagonist like Mr. Mitty.
CHICAGO – The incredibly talented men and women who make up the cast of “A.C.O.D.” make the relative failure of its script easier to bear. Just hearing brilliant actors like Richard Jenkins and Catherine O’Hara at each other’s throats or watching remarkably likable stars like Adam Scott and Mary Elizabeth Winstead figure out their relationship has enough charm to get one from lights down to credits roll. And the first hour of “A.C.O.D.” is pretty damn funny, allowing one to hope that it will develop into something truly memorable. For some reason, the theme of Sundance comedies this year (“In a World…,” “Afternoon Delight,” and this one) is non-endings as “A.C.O.D.” can’t follow through on its clever set-up.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of advance-screening movie passes up for grabs to the new comedy “A.C.O.D.” (“Adult Children of Divorce”) starring Adam Scott!
CHICAGO – “Bachelorette,” now playing On Demand (and doing quite well on that format) and opening in theaters tomorrow, is a modestly successful comedy with some very talented stars stuck with an incredibly inconsistent script.
CHICAGO – The cover of “Friends with Kids” sells it as a fun ensemble comedy with three cast members from “Bridesmaids,” one of the stars of “Parks and Recreation,” and the super-talented Jon Hamm looking particularly cheery. It’s false advertising. In truth, the movie belongs to Adam Scott and co-star/writer/director Jennifer Westfeldt and even the small roles by the rest of the cast are often more dramatic than comedic. Even without the false bill of goods, “Friends with Kids” is a disappointing. It’s a strong vehicle for Scott and Hamm has a few good scenes but it’s ultimately less than the sum of its talented parts.
CHICAGO – Jennifer Westfeldt created a distinct movie persona in her debut in 2001 in “Kissing Jessica Stein,” but she has been generally off the radar since then. Her choice for a major film re-emergence is as a nebbish career woman with less memorable character traits. She also directs Jon Hamm, Kristen Wiig, Chris O’Dowd, Megan Fox and Maya Rudolph in “Friends with Kids.”
CHICAGO – Jennifer Westfeldt created a distinct movie character with her first film in 2001, writing and starring in “Kissing Jessica Stein.” She now makes her directorial debut, guiding an ensemble cast that includes Kristen Wiig, Maya Rudolph, Jon Hamm, Adam Scott and herself in “Friends with Kids.”
CHICAGO – “Our Idiot Brother,” recently released on Blu-ray and DVD, is a light, good-natured comedy with a stellar ensemble that doesn’t quite click into place as a truly stand-out entry in the genre but features such a positive tone and overall message that it’s a difficult movie for which to mount too much of an offense against. The cast is so incredibly likable and so is the overall theme of the movie that it’s easy to approach like its title character and just go with the flow.
CHICAGO – “Modern Family” may have just won the Emmy and “Louie” & “Curb Your Enthusiasm” both had very strong summer outings, but the fourth-season premiere of NBC’s “Parks and Recreation” (and the equally-hysterical episode that follows it) makes the case that the Amy Poehler vehicle is the best comedy on television right now. With incredibly smart writing and increasingly impressive performances from the entire ensemble, “Parks and Rec” just keeps getting funnier.