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Aaron Yoo

Blu-Ray Review: Jason Voorhees Returns in Killer Cut of ‘Friday the 13th’

Friday the 13th

CHICAGO – The reboot of “Friday the 13th” was another financially successful notch in the belt of Platinum Dunes, the film company behind the remakes of “Texas Chainsaw Massacre,” “The Hitcher,” and “The Amityville Horror”. Making $90 million worldwide and more domestically than any previous Jason Voorhees movie (that didn’t include Freddy Krueger), “Friday the 13th” has a following that will be ecstatic with the excellent Blu-Ray release for the slasher title.

Lack of Originality, Actual Scares Render Marcus Nispel’s ‘Friday the 13th’ Ineffective

Friday the 13th

CHICAGO – Your reaction to Marcus Nispel’s “Friday the 13th” is likely to depend on how nostalgically you remember the original and how you reacted to producer Michael Bay’s “remakes” of “The Amityville Horror,” “The Hitcher,” and “The Texas Chainsaw Massacre”.

Slideshow: 29-Image Gallery For ‘Friday the 13th’ With Jared Padalecki

| Image 1 of 29 |
Chelsea (Willa Ford) discovers Jason (Derek Mears) watching her from the shores of Crystal Lake.

CHICAGO – This 29-image slideshow contains the official press images for “Friday the 13th,” which was directed by Marcus Nispel and features Jared Padalecki, Danielle Panabaker, Willa Ford, Aaron Yoo, Amanda Righetti, Travis Van Winkle, America Olivo and Derek Mears as Jason. The Warner Brothers Pictures release opens on Friday, February 13th, 2009.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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