CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – The new film “Eye in the Sky” is as contemporary a war film that currently could be made. The overview of drone warfare includes the distant “pilots” on the computer screen, the leaders in their paneled offices, and the target on the ground – which includes the enemy, but also several innocents.
CHICAGO – The world certainly didn’t need another “Ten Commandments,” but director Ridley Scott tries to remake the 50’s Biblical epic anyway – led by Christian Bale as a scowling and shouting Moses. Yet Bale can’t hold a staff to Charlton Heston and Scott is no Cecil B. DeMille.
HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Exodus: Gods and Kings’ With Christian Bale as MosesSubmitted by HollywoodChicago.com on December 9, 2014 - 7:48pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the highly anticipated new film “Exodus: Gods and Kings” starring Christian Bale as Moses!
CHICAGO – In interviews to promote the movie, Aaron Paul has said that he was chosen by Steven Spielberg himself to be the lead in this high-speed action thriller, while the executive producer was binge-watching “Breaking Bad”. Those are certainly some undeniable cool points that I can’t blame him for mentioning, regardless of how the movie is received.
The instant-response nature of our media has forced a bizarre question on nearly every minute of the Sundance Film Festival — “Is it a GOOD year?” Journalists and festival goers talk in hushed tones about the first time they saw beloved Sundance films like “Clerks,” “Bottle Rocket,” “Winter’s Bone,” or “Beasts of the Southern Wild” and wonder if there’s anything this year to compare. Personally, I had a spectacular year.
Sundance has always been an interesting blend of new and old; domestic and international; star power and new faces. In the last 24 hours, the two movies that struck the loudest chord with me come from young filmmakers, and that couldn’t make me happier.
CHICAGO – Walter White is back. Those four words mean more to loyal fans of “Breaking Bad” than any other this Summer.
CHICAGO – Sony knows that AMC’s “Breaking Bad” has one of the most loyal fan bases in television and so have released increasingly impressive Blu-ray and DVD season sets of the Emmy Award-winning program. The latest, the first half of the fifth season that aired in Summer 2012, comes with EIGHT HOURS of special features, including an exclusive scene, deleted scenes, and star-filled commentaries on every single episode. It’s one of the most impressive TV releases of the season for arguably the best show on TV.
CHICAGO – I’m upset I didn’t see “Smashed” in time to produce my year-end lists for 2012 (Sony Pictures Classics inexplicably never sent a screener and I missed it in theaters). Mary Elizabeth Winstead’s stellar lead performance and Aaron Paul’s pitch-perfect support would have been included in both of my performance pieces. They’re so good here, balancing the truth of youthful addiction in ways that we rarely see in film.
CHICAGO – “Young Drunks in Love” could be the subtitle of the new film “Smashed,’ or maybe “Recovery Can’t Recover All.” Regardless, Mary Elizabeth Winstead gives a career-defining performance as a young adult facing up to that adulthood, and leaving behind everything she has known for a life that’s healthier, but less familiar.