Film Review: Keira Knightley is Ahead of Her Times as ‘Colette’

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
Average: 1 (1 vote)

CHICAGO – The maturation of Keira Knightley… from ‘Bend it Like Beckham” to “Pride and Prejudice” to the current “Colette,” has had the actor delivering an evolving depth and purpose to her roles. The latest is a fantastic overview of an ahead-of-her-time French novelist, as the rest of society tried to catch up. Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

“Colette” refers to Sidonie-Gabrielle Colette, a writer, mime, actor and journalist, plus wife to Henri Gautier-Villars (AKA “Willy”) in late 19th/early 20th Century Paris. She found her talent for writing through her husband, a raconteur in the City of Lights who put his name on Colette’s early novels, even as they became best sellers. The film – directed by Wash Westmoreland (“Still Alice”) – is an overview of this all, including Colette’s breakaway from his tutelage. Keira Knightly and Dominic West are electric as the husband-and-wife duo, and each adds a spice to the story that moves it forward that much more. Colette was a fascinating real-life figure, and gets a well deserved interpretation by the intuitive Ms. Knightley. It’s also a very entertaining film, without the dreariness that sometimes accompanies period settings.

Sidonie-Gabrielle Colette (Keira Knightley) is a country girl, who is being wooed by an older city gentleman known by his pen name Willy (Dominic West) in Paris. When she capitulates and moves to the big town, she is caught up in her husband’s business of producing written material for publications, in a sort of factory set-up. As their bills mount, and Willy’s infidelities become apparent, the young country bride is let down.

With their backs to the wall, Colette (as she has now named herself) writes a series of “Claudine” novels, and Willy attaches his name to them. They become the toast of Pareé, as the books are runaway best sellers. Willy gets addicted to the fame, and Colette becomes more bold in her choice of lovers, including American Georgie (Eleanor Tomlinson) and vague Missy (Denise Gough). Colette became more of herself, as she continued to discover.

“Colette” has a nationwide release on September 28th. See local listings for theaters and show times. Featuring Keira Knightley, Dominic West, Eleanor Tomlinson, Fiona Shaw and Denise Gough. Screenplay by Wash Westmoreland, Richard Glatzer and Rebecca Lenkiewicz. Directed by Wash Westmoreland. Rated “R”

StarContinue reading for Patrick McDonald’s full review of “Colette”

Through a Glass, Enlightened: Keira Knightley as ‘Colette’
Photo credit: Bleecker Street Media

StarContinue reading for Patrick McDonald’s full review of “Colette”

User Login

Free Giveaway Mailing


  • Grace, Or the Art of Climbing

    CHICAGO – What is life but a constant climb? The Brown Paper Box Co., one of the most vital storefront theater groups in Chicago, asks that question and more in the significant “Grace, Or the Art of Climbing.” Using a woman’s journey through some difficult situations, the parallels of “the climb” become a artfully performed story that is all inspiration and uplift. The play runs through July 7th, 2019, at Stage 773 in the Belmont Avenue Theater District in Chicago. For more information and tickets, click here.

  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

Advertisement on Twitter

archive Top Ten Discussions