CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”
In ‘Get Smart’ Lifeless Retread, Steve Carell Can’t Fill Don Adams’ Shoe
CHICAGO – Observing the new “Get Smart” film, which is based on the 1960s TV sitcom of the same name, is to note how much has changed since the Cold War ended.
KAOS and CONTROL – the U.S. and Russian spy agencies that square off in the movie – seem like relics of another era. In this age of homeland security and unlimited government wiretapping, it’s difficult to create fictional comedy that can compete with real-life absurdity.
The film version of “Get Smart” lives up to that truth. Combining dull action-movie elements, badly cast movie stars and an uncomfortable romance, the film has forgotten all about its TV roots and most of the humor.
|Read Patrick McDonald’s full review of “Get Smart” in our reviews section.
View our full, high-resolution “Get Smart” image gallery.
Played by Steve Carell, Maxwell Smart is a Russian interpreter and communications administrator in the secret government spy agency CONTROL.
The chief (Alan Arkin) wants Smart to stay in the administration even though he longs to join spies like Agent 23 (Dwayne Johnson) and work in the field.
After KAOS – a rival Russian agency – infiltrates and wrecks the CONTROL offices, Smart is promoted to field agent and partnered with super-spy Agent 99 (Anne Hathaway). Their mission is to find out who’s behind KAOS and identify their evil plans.
“Get Smart,” which stars Steve Carell, Anna Hathaway, Dwayne Johnson, Alan Arkin, Terence Stamp, Bill Murray and Ryan Seacrest, opened everywhere on June 20, 2008.
Photo credit: Warner Bros.
Photo credit: Tracy Bennett