HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Film Review: Celebration of Creation in Warm ‘Saving Mr. Banks’

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
Average: 5 (1 vote)

CHICAGO – The world of creation, and the imagination behind it, gets an honorable and elegantly performed treatment in the fascinating “Saving Mr. Banks.” What seems like a “making of” film about the legendary “Mary Poppins,” becomes much more rich in symbolism and consideration.

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

The story of the meeting between “Mary Poppins” author P.L. Travers and Walt Disney – played with precise grandfatherly charm by Tom Hanks – is really a tale of how individuals have to overcome their circumstances, yet are haunted by them still. In Travers case, it is a harsh childhood on the vast plains of Australia, and in Disney’s formative years it is the scratch-for-survival lower middle class at the dawn of the 20th Century Midwest. Both situations informed their creative souls, tempered by the realities of their own ambitions and the ambitions of the world that absorbed their creativity. The film celebrates it all in a based-on-truth fantasy about denial, loneliness, determination and yes, magic.

P.L Travers (Emma Thompson), the London-based author of the “Mary Poppins” series of books, is broke. Her agent reminds her that Walt Disney (Tom Hanks) has had an offer on the table for 20 years to convert her book into a Disney film. With almost bitter resignation, the author takes the big plane over the pond in 1961 and arrives in Mad-Men era Los Angeles, determined to have final script approval over her vision of Mary Poppins.

Meanwhile, Walt’s merry band of moviemakers, “Poppins” screenwriter Don DeGradi (Bradley Whitford), and the song composing team of the Sherman Brothers – Robert (B.J. Novak) and Richard (Jason Schwartzman) – are charged with the task of convincing the uptight Travers that adding tunes and a lighter touch will make Mary Poppins a character for the ages. As Travers revolts, she also flashes back to herself as a child (Anna Rose Buckley) in Australia, and an alcoholic father (Colin Farrell) that has informed her spirit forever.

’Saving Mr. Banks’ has a limited release on December 13th, and opens everywhere on December 20th. See local listings for theaters and show times. Featuring Tom Hanks, Emma Thompson, Paul Giamatti, Colin Farrell, Ruth Wilson, Jason Schwartzman, B.J. Novak, Rachel Griffiths and Anna Rose Buckley. Screenplay by Kelly Marcel and Sue Smith. Directed by John Lee Hancock. Rated “PG-13”

StarContinue reading for Patrick McDonald’s full review of ”Saving Mr. Banks”

Tom Hanks, Emma Thompson
Walt Disney (Tom Hanks) and P.L. Travers (Emma Thompson) Visit Disneyland in ‘Saving Mr. Banks’
Photo credit: Walt Disney Pictures

StarContinue reading for Patrick McDonald’s full review of ”Saving Mr. Banks”

Post new comment

The content of this field is kept private and will not be shown publicly.
CAPTCHA
This question is for testing whether you are a human visitor and to prevent spam submissions.
Image CAPTCHA
Enter the characters shown in the image.

Hot stories on the Web

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker