HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Film Review: ‘After Earth’ Proves M. Night Shyamalan’s Checkmate With Mismatched Smith Family

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
No votes yet

CHICAGO – Oscar accolades are a godsend, but so are they an affliction. They’re the ultimate vote of respect from your industry, but then you’ve got to keep being as genius as they thought you were. In M. Night Shyamalan’s case, it’s all gone downhill since his 1999 smash-hit “The Sixth Sense,” which was nominated for six of these portly golden statues. Now attaching his name to a movie does it more destruction than good.

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

After first trying to emulate Alfred Hitchock and failing to, Shyamalan shifted to attempting a blockbuster with 2010’s “The Last Airbender,” which won at the box office but failed with critics. Back for redemption in 2013, he teamed up with the most mismatched kin you could imagine: the profitable Hollywood family comprised of Will, Jaden, Jada Pinkett and Caleeb Pinkett Smith.

The result of Shyamalan trying to evidence he could rise to J.J. Abrams or Steven Spielberg blockbuster caliber is that he can’t and likely never will. “After Earth” is a wasteland riddled with cinematic trash the likes of which would take thousands of words to successfully dissect. But I’ll humor you nonetheless – while our critic, Brian Tallerico, already has in his 1-out-5 trashing.

StarRead Adam Fendelman’s full review of “After Earth”.

From the 12 titles he’s written and mostly all directed (excluding “After Earth” because it just opened), I calculate that Shyamalan films have a cumulative global box-office gross of $2.5 billion on total production budgets of $665 million (according to Box Office Mojo data from 2010’s “Devil” back to 1992’s “Praying With Anger”).

Only one Shyamalan film had a global gross less than its production budget (1998’s mega flop “Wide Awake”), and by the numbers, he’s a financial success over and over again. But numbers lie. In the hearts and minds of moviegoers and critics, he’s a failure time and time again who keeps trying to prove he’s a legend that he’s not. Out of 12, only two – “The Sixth Sense” (his biggest big-office hit, at $672 million, and most profitable film) and 2002’s “Signs” (his second biggest, at $408 million) – should have made it to Hollywood.

“After Earth” stars Will Smith, Jaden Smith, Sophie Okonedo, Zoë Kravitz, Glenn Morshower and David Denman. Its screenplay is by Gary Whitta and M. Night Shyamalan, story by Will Smith and directed by M. Night Shyamalan. The film has a running time of 100 minutes and was released on May 31, 2013. “After Earth” is rated “PG-13” for sci-fi action/violence and some disturbing images.

StarContinue for Adam Fendelman’s full “After Earth” review.

Jaden Smith in After Earth
Jaden Smith in “After Earth”.
Image credit: Columbia Pictures

StarContinue for Adam Fendelman’s full “After Earth” review.

Post new comment

The content of this field is kept private and will not be shown publicly.
CAPTCHA
This question is for testing whether you are a human visitor and to prevent spam submissions.
Image CAPTCHA
Enter the characters shown in the image.

Hot stories on the Web


User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

Advertisement


HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker