HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Blu-ray Review: ‘Dolphin Tale’ Surprisingly Delivers Quality Family Entertainment

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
No votes yet

CHICAGO – As a refreshing departure from the snarky, shrill and soulless time wasters passing for children’s entertainment these days, this wholesome, fact-based drama works perfectly well. It captures some of the innocence and warmth that characterized ’60s-era Disney fare, as well as the blandness and exceedingly high cheese factor.

What initially steered me away from this picture was its awful marketing campaign, which made the film seem as if it were a retread of the “Blind Side” formula: sunny white family helps transform a damaged creature into an inspirational beacon. It’s a sad fact that the titular animal in “Dolphin Tale” has more personality than Michael Oher in “The Blind Side,” which surely stands as one of the worst films ever to be nominated for Best Picture.

HollywoodChicago.com Blu-ray Rating: 3.0/5.0
Blu-ray Rating: 3.0/5.0

Yet while “The Blind Side” was a smugly self-aggrandizing bore celebrating the tolerance of a Southern conservative mamma grizzly, “Dolphin Tale” doesn’t have much of an agenda. Its characters are largely fictional, aside from the dolphin itself, which is outfitted with a fully-functional prosthetic tail. Few special effects were necessary, since the dolphin (named Winter) plays herself in the film. The story of how she was rescued by members of the Clearwater Marine Hospital and received her new tail would be an excellent subject for a segment on “60 Minutes.” But “Dolphin Tale” scribes Karen Janszen and Noam Dromi attempt to stretch the simple story over nearly two hours of running time by leaving no cliché unused. There isn’t a single moment in the picture that doesn’t fit snugly into a by-the-numbers screenwriting template. As soon as characters start laughing their way into a happiness montage, tears and tragedy are always around the corner. Yet director Charles Martin Smith (eternally remembered as the flirtatious dweeb in “American Graffiti”) never allows the fictionalized framework to upstage the genuinely uplifting subject matter at its center.

Cozi Zuehlsdorff lights up the screen in Charles Martin Smith’s Dolphin Tale.
Cozi Zuehlsdorff lights up the screen in Charles Martin Smith’s Dolphin Tale.
Photo credit: Warner Bros. Home Entertainment

Nathan Gamble stars as Sawyer, a friendless boy who abandons his summer schooling when he discovers an injured beached dolphin and helps contact the local marine hospital. He quickly befriends a doctor (Harry Connick Jr.) and his gabby daughter Hazel (newcomer Cozi Zuehlsdorff) during his daily visits with Winter. Ashley Judd has some nice moments as Sawyer’s mother, as she watches her son become truly excited for perhaps the first time in his life. The real delight of the film is Zuehlsdorff, who has an infectious toothy grin and comic timing worthy of Shirley Temple.

However, it’s a shame that the filmmakers didn’t attempt to enhance the character of Winter by cinematically exploring her intelligent psyche. The film’s running time could’ve easily been slashed by twenty minutes, and some sequences (particularly the flight of a toy helicopter) exist solely to show off the theatrical version’s needless 3D visuals. I also could’ve done without the predictable casting of Morgan Freeman as yet another variation on the “Magical Negro” archetype (seriously, how many times can one man be asked to play God?). In the thankless role of an elderly Debbie Downer, Frances Sternhagen earns some unintentional laughs when the script requires her to raise the tension with lines like, “We’re swimming in debt!” and “Every aquarium in the country says it’s hopeless!”

Dolphin Tale was released on Blu-ray and DVD on Dec. 20, 2011.
Dolphin Tale was released on Blu-ray and DVD on Dec. 20, 2011.
Photo credit: Warner Bros. Home Entertainment

Yes, the picture is corny, but it’s no less cornball than Steven Spielberg’s “War Horse” (in fact, both films feature slapstick sequences where adults are chased by squawking birds). Smith directs with a gentle touch and avoids the patronizing sentiment and obnoxious gags that mar so many lesser mainstream releases. In a year filled with terrible family fare, this film is an unquestionable highlight.
“Dolphin Tale” is presented in 1080p High Definition (with a 1.85:1 aspect ratio), accompanied by English, French and Spanish audio tracks, and includes Blu-ray, DVD and Ultraviolet digital copies of the film. In the disc’s extensive collection of featurettes, the filmmakers discuss their efforts to ensure that none of the onscreen animals would be exploited. Winter’s home at the Clearwater Marine Hospital was used as a backlot, and the crew eventually added a new wing to the establishment after the director deemed it too claustrophobic. The actual pool in which Winter first began rehabilitation was also used in the film. What wasn’t used were any actual dolphins in the film’s opening title sequence, which follows Winter prior to her injury. The digital effects are less than convincing, as is producer Andrew Kosove’s claim that 3D was chosen to artistically benefit the production and create an immersive experience, since the vast majority of the film’s visuals are pedestrian.
Smith says that he wanted to capture the childlike impishness of Winter, who he claims has the mentality of a ten-year-old, while focusing his story primarily on the budding friendship between the boy and the dolphin. Rounding out the special features are a gag reel, deleted scene, animated short and conceptual imagery for the Hutash Rainbow Bridge story recited by Connick Jr. in the film. Yet the most touching extra by far is an 18-minute featurette detailing Winter’s miraculous backstory, while expanding on the documentary footage that plays before the end credits. We meet members of Hanger Prosthetics that developed the artificial tail as well as various people who subsequently benefited from the invention of the silicone gel sleeve (dubbed the “WintersGel”). Witnessing the faces of young amputees inspired by Winter’s story is more moving than any cliché in the Hollywood handbook.

‘Dolphin Tale’ is released by Warner Bros. Home Entertainment and stars Harry Connick Jr., Ashley Judd, Nathan Gamble, Kris Kristofferson, Cozi Zuehlsdorff, Austin Stowell and Morgan Freeman. It was written by Karen Janszen and Noam Dromi and directed by Charles Martin Smith. It was released on Dec. 20, 2011. It is rated PG.

HollywoodChicago.com staff writer Matt Fagerholm

Staff Writer

Post new comment

The content of this field is kept private and will not be shown publicly.
This question is for testing whether you are a human visitor and to prevent spam submissions.
Enter the characters shown in the image.

User Login

Free Giveaway Mailing


  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


HollywoodChicago.com on Twitter


HollywoodChicago.com Top Ten Discussions