HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Film Review: Brutal ‘The Woman’ Shocks With Bloody Satire

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
No votes yet
HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When Lucky McKee’s “The Woman” played at Sundance earlier this year it caused quite a stir, mostly thanks to the reports of an altercation that happened shortly after the screening in which someone questioned how something so extreme even got to Park City. While some midnight screenings at the fest have pushed boundaries before (“Saw,” “Haute Tension”), there is something so brutally in your face about the repulsive acts on display that it’s easy to see why buttons were pushed. This is daring, dark material that approaches satire in its exploration of the hideous underbelly of America. It’s “American Beauty” meets “Hostel”…and I mean that as a compliment.

Co-written and conceived by the legendary author Jack Ketchum (“The Girl Next Door”), “The Woman” is about a seemingly normal family. There’s a patriarch named Chris (Sean Bridgers), who has that sleazy used-car salesman vibe that would make anyone uncomfortable. There’s a matriarch named Belle (McKee regular Angela Bettis), a woman who seems constantly startled, as most abuse victims do. And there are two teenage children, Peg (Lauren Ashley Carter) and Brian (Zach Ran), along with a still-innocent young one (Shyla Molhusen).

StarRead Brian Tallerico’s full review of “The Woman” in our reviews section.

While Chris is hunting in the woods he stumbles upon a feral, filthy, half-naked woman (Pollyanna McIntosh) who he shoots, brings home, and chains up in a shed in his backyard. As if this is completely normal, expected behavior, the family goes along with dear old dad’s plan, even after the woman bites off one of his fingers and eats it. The idea seems to be that the family is planning to domesticate and “save” this nature girl (although their actual motivations are too thinly-defined) but things naturally go haywire very quickly. Before long, dad is raping the woman and their only son is mutilating her naked body with pliers. And I won’t even begin to explain what happens to a sweet teacher who dares to investigate why Peg has become so withdrawn at school.

The question one has to ask when assessing “The Woman” is a simple one – is this misogyny or an examination of misogyny? Watching all of the female characters be brutalized in various ways by a horrendous human being (and the offspring he’s training in his footsteps) can be hard to take, especially for female viewers. Of course, the tables are eventually turned on this monster, but is it too little too late? I don’t believe so. I think McKee & Ketchum are tapping into something ABOUT misogyny in a daring, dark, in-your-face manner more than being misogynistic through their writing.

StarContinue reading for Brian Tallerico’s full “The Woman” review.

‘The Woman’ stars Sean Bridgers, Angela Bettis, Lauren Ashley Carter, Zach Ran, and Polyanna McKintosh. It was written by Lucky McKee & Jack Ketchum and directed by McKee. It opens on October 14th, 2011 and is unrated.

The Woman
The Woman
Photo credit: Bloody Disgusting

Post new comment

The content of this field is kept private and will not be shown publicly.
CAPTCHA
This question is for testing whether you are a human visitor and to prevent spam submissions.
Image CAPTCHA
Enter the characters shown in the image.

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker