CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
Film Review: ‘Gnomeo & Juliet’ Charms With Music of Elton John
CHICAGO – As movie animation domination continues, “Gnomeo and Juliet” throws its stone cap into the ring, and has a lively story that tweaks it source, while respecting its power. James McAvoy and Emily Blunt are the voices of the star-crossed lovers, with the addition of familiar vocals from Michael Caine and Ozzy Osbourne, among others.
This is a take-off of Shakepeares’ Romeo and Juliet of course, but it’s set in competing English gardens, as the gnome statues (and other species) come to life to protect their turf. Gnomeo belongs to the blue-capped Montagues, and Juliet are with the Red Capulets.
It is established early in the film that the competing garden tribes simply don’t like each other. Gnomeo is the rebel of the Blues, racing lawnmowers with the evil Tybalt (voice of Jason Statham). Lord Redbrick (Michael Caine) is the patriarch of the Reds, and generally everyone wants to protect the loveliest gnome statue, the high-on-a-fountain-perch Juliet.
But Juliet hates the gentle life and wants more action. She sneaks out one night to capture a rare orchid, aided by Nannette (Ashley Jensen), a frog fountain. When Gnomeo spies the lovely red gnome grasping at the flower, he intervenes. As they tumble through a new world of flora and feelings, their doomed love (doomed!) opens up a series of unexpected events.
The lovers run to an abandoned garden, seemingly to begin a life on their own, and meet up with a lawn flamingo named Featherstone (Jim Cummings), who has been trapped in a shed for twenty years. He begins to teach them of love, and how their differences could perhaps become their strengths. Wherefore art thou, indeed.
Photo credit: © Miramax Films