HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Film Review: ‘Megamind’ With Will Ferrell, Brad Pitt Barely Wins Animated Fight

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
No votes yet

CHICAGO – Being a super-villain is apparently going out of style as “Megamind” follows relatively quickly on the heels of “Despicable Me” and both tell the story of a bad guy realizing that it’s more fun to be good. The title character of “Megamind” (Will Ferrell) is a nefarious super-powered fellow who has just barely lost every fight he’s had with the beloved Metroman (Brad Pitt). It seems appropriate that the film about them is also a marginal affair in which the good just barely outweighs the bad.

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

Stellar voice talent goes a long way in overcoming what is essentially a pretty lackluster script hampered even further by mediocre character and environment design. To put it another way, “Megamind” doesn’t have that memorable a story and isn’t as visually creative as it should be but you can’t find actors much better at this kind of material than Will Ferrell, Tina Fey, Brad Pitt, Jonah Hill, and David Cross.

StarRead Brian Tallerico’s full review of “Megamind” in our reviews section.

The opening act details the history of Megamind and Metroman, life-long nemeses sent to Earth in a sequence that clearly parodies the opening act of “Superman.” Through what is essentially luck, the perfectly-coifed, good-looking guy becomes the superhero and the ugly, blue, bald dude becomes the super-villain. On the occasion of the opening of the Metroman Museum in the center of Metro City, Megamind stages yet another kidnapping of the beautiful Roxie (Tina Fey) in an attempt to lure Metroman into another trap. To everyone’s surprise, his plan finally works and Metroman ends up dead.

After taking over the city and wreaking cartoonish havoc with his pal Minion (David Cross), Megamind realizes that a villain without a hero is a yin without a yang. He decides to try and create a hero to complete him and bring meaning to his life again. Using a bit of Metroman’s remaining DNA, he accidentally infuses superhero powers into a slob of a cameraman named Hal (Jonah Hill), turning him into Titan. Of course, Megamind learns that the definition of hero or villain can’t just be placed on someone. It’s about what’s inside.

StarContinue reading for Brian Tallerico’s full “Megamind” review.

‘Megamind’ stars Will Ferrell, Tina Fey, Jonah Hill, David Cross, and Brad Pitt. It was written by Alan J. Schoolcraft & Brent Simons and directed by Tom McGrath. It opens on November 5th, 2010. It is rated PG.

Megamind
Megamind
Photo credit: Dreamworks Pictures

David Smith's picture

Mega

Thanks for the heads up!

Comment viewing options

Select your preferred way to display the comments and click "Save settings" to activate your changes.

Post new comment

The content of this field is kept private and will not be shown publicly.
CAPTCHA
This question is for testing whether you are a human visitor and to prevent spam submissions.
Image CAPTCHA
Enter the characters shown in the image.

Hot stories on the Web


User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

Advertisement


HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker