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Wes Craven

Wes Craven Returns to Form With Entertaining ‘Scre4m’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Wes Craven’s legendary franchise returns this weekend with a decade since its last installment and to a genre that has been almost entirely bereft of creativity since its director started to lose his prominence as one of its best. Can “Scre4m” rejuvenate the slasher genre like the first film did or will it fall victim to the rule that horror sequels almost always suck?

Effective Remake of ‘The Last House on the Left’ a Powerful Horror Film

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGODennis Illiadis’ remake of “The Last House on the Left” is the exception the proves the rule that most horror movie remakes are a complete waste of time. With an incredible performance by Garret Dillahunt (“Deadwood,” “The Assassination of Jesse James by the Coward Robert Ford”) and great supporting work by Monica Potter, Sara Paxton, Tony Goldwyn, and others, “Last House” is the best mainstream horror movie in a long time.

Horror Master George A. Romero Reveals Veteran Zombie Lock in ‘Diary of the Dead’

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – Master horror filmmaker George A. Romero is back for the fifth installment of his “Dead” series as what began with 1968’s “Night of the Living Dead” has fast-forwarded to “Diary of the Dead”. This time, Romero takes on the modern soul deadening of staring at screens and includes the constant navel gazing of videotaping, computers and the instant playback that has become our lives.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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