Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – A TV movie for the silver screen, “Veronica Mars” is a historical film that was Kickstarted into existence by the will of 91,585 backers. Now, it stands like a crossroads in the intersection between TV and film, showing that what may work in TV doesn’t necessarily make for a great film.
CHICAGO – After being blitzed by an onslaught of attention-demanding advertising that begged the question “who is Sarah Marshall?” even before you realized it’s a film, anticipation was ravenous.