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Tim Roth

Richard Gere Symbolizes U.S. Morality in ‘Arbitrage’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The concept of crime and punishment is a goalpost that is constantly being moved. Justice becomes an discretionary circumstance, sold to the highest bidder. These are just a view of the happy themes in the new film “Arbitrage,” featuring Richard Gere, Susan Sarandon and Brit Marling.

‘The Incredible Hulk’ Indeed Jacked Up on CGI Roids, But Medusa’s in His Face

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Technology has done double-edged service and disservice to the legendary Hulk superhero character from Stan Lee’s Marvel Comics.

In peering at the CGI-created ripped body of nothing remotely reminiscent of Edward Norton, the 2008 film iteration of “The Incredible Hulk” has a leg light years up on Lou Ferrigno’s character in the 1978 television series of the “The Incredible Hulk”.

With Surreal Madness, Strange Boys Play ‘Funny Games’

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – Imagine a film with no redeeming or uplifting emotional qualities with evil that tortures the soul, squirm-inducing narrative elements and a relentless anxiety that practically has us – like the characters in the film – screaming for mercy. Imagine also that this film is excellent.

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  • Ride Along with Ice Cube

    CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.

  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

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