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Tilda Swinton

‘The Grand Budapest Hotel’ is Built by Wes Anderson

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The distinct and strangely alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.

Wes Anderson’s ‘Moonrise Kingdom’ Delights with Clever Tale of Young Love

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Wes Anderson’s “Moonrise Kingdom” is a true delight — a fun, clever, and, of course, whimsical tale about the days when love seemed worth running away from home over and getting a scout badge meant the world. Easily Anderson’s best film since “The Royal Tenenbaums,” “Moonrise” is arguably the most tonally consistent film he’s made to date, a thoroughly enjoyable endeavor that one would have to be pretty cynical to dismiss entirely.

Oedipus Wrecks Tilda Swinton in ‘We Need to Talk About Kevin’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The mother and son relationship is perhaps one of the most complicated ever invented. In giving birth to an opposing gender, the woman must then deal with a maturation process foreign to her own, with all the potential psychosis attached. Tilda Swinton and Ezra Miller play the game in “We Need to Talk About Kevin.”

‘I Am Love’ Offers Scintillating Showcase For Tilda Swinton

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “I Am Love” is the type of visceral tone poem that requires its audience to feel more than think. As the end credits roll, viewers may find themselves going over the plot in their heads, and discovering its inherent shallowness. It’s only after we wake up from a dream that we discover just how silly or inexplicable it all was.

Packed With Picturesque Majesty, ‘The Chronicles of Narnia: Prince Caspian’ Fights Nobly For ‘PG’ Rating

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – For the life of me, I couldn’t exorcise it from my head. Amid all the splendor of such a picturesque film, this one question was like a gnat I couldn’t swat: “Is this really rated ‘PG’?” Indeed, “The Chronicles of Narnia: Prince Caspian” is rated “PG”. But that didn’t come without great scrutiny and much editing.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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