Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Is a film automatically flawed if we can see its influences? We don’t do it as quickly in music, in which it’s often incredibly easy to determine a new artist’s favorite bands as a kid. Authors that pull from a notable and recognizable literary history are often lauded for doing so.
CHICAGO – Deservedly renowned as one of our greatest living filmmakers, Terrence Malick has a reputation for taking his time with each project. He won’t make a picture unless he feels a burning desire to make it, and will put directing on the back burner for two decades, if necessary, in order to pursue other interests. He’s never made what could be conceivably considered a minor work—until now.
CHICAGO – History eludes us. It’s what happens when we’re busy making other plans. In his new film “Beaufort,” director Joseph Cedar turns his lens toward the history and misery of a Mideastern soldier’s outpost eight years ago that was both defended and attacked while highlighting the human element that has to endure when protecting the territory of warfare.