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Terrence Malick

Mesmerizing, Romantic Power of ‘Ain’t Them Bodies Saints’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Is a film automatically flawed if we can see its influences? We don’t do it as quickly in music, in which it’s often incredibly easy to determine a new artist’s favorite bands as a kid. Authors that pull from a notable and recognizable literary history are often lauded for doing so.

Terrence Malick’s ‘To the Wonder’ Nearly Drowns in its Own Beauty

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Deservedly renowned as one of our greatest living filmmakers, Terrence Malick has a reputation for taking his time with each project. He won’t make a picture unless he feels a burning desire to make it, and will put directing on the back burner for two decades, if necessary, in order to pursue other interests. He’s never made what could be conceivably considered a minor work—until now.

Academy Award-Nominated ‘Beaufort’ Ponders Question of Why We Fight

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – History eludes us. It’s what happens when we’re busy making other plans. In his new film “Beaufort,” director Joseph Cedar turns his lens toward the history and misery of a Mideastern soldier’s outpost eight years ago that was both defended and attacked while highlighting the human element that has to endure when protecting the territory of warfare.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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