CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Is a film automatically flawed if we can see its influences? We don’t do it as quickly in music, in which it’s often incredibly easy to determine a new artist’s favorite bands as a kid. Authors that pull from a notable and recognizable literary history are often lauded for doing so.
CHICAGO – Deservedly renowned as one of our greatest living filmmakers, Terrence Malick has a reputation for taking his time with each project. He won’t make a picture unless he feels a burning desire to make it, and will put directing on the back burner for two decades, if necessary, in order to pursue other interests. He’s never made what could be conceivably considered a minor work—until now.
CHICAGO – History eludes us. It’s what happens when we’re busy making other plans. In his new film “Beaufort,” director Joseph Cedar turns his lens toward the history and misery of a Mideastern soldier’s outpost eight years ago that was both defended and attacked while highlighting the human element that has to endure when protecting the territory of warfare.