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Terence Stamp

Eye-Popping 3D, Same Story in ‘Star Wars: Episode 1 – The Phantom Menace’ Rerelease

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jar Jar Binks is back, and George Lucas has him in 3D. Yes, the re-release of 1999’s “Star Wars: Episode 1 – The Phantom Menace,” takes advantage of the new 3D technology. However, it can’t change the story or the now 13-year outrage regarding this weird take on the Stars Wars legacy. Were we ever that young and that angry?

Bryan Singer’s ‘Valkyrie’ With Tom Cruise Mistakes Morose For Intense

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Tom Cruise can be a powerfully vibrant actor in the right material but he’s horrendously miscast in Bryan Singer’s “Valkyrie,” a decision amplified by poor direction that drains this true story of an assassination attempt on the life of Adolf Hitler of its inherent power.

‘Wanted’ With Angelina Jolie, James McAvoy Concocts Curving Bullet in Gluttonously Entertaining Blockbuster

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – With curving, clinking and kissing bullets, “Wanted” indeed does Chicago proud. And Angelina Jolie sells it. And Morgan Freeman is ominous. And in his body of work, James McAvoy – the star of this orgasmic summer blockbuster – becomes a man.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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