HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Stan Lee

All Forms of Heroism Available in ‘Black Panther’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – The fortune of the latest Marvel Studios superhero epic, “Black Panther,” lies in its solid foundation in African mythos and intelligent storytelling. And with Ryan Coogler (“Creed”) as director, there are still major confrontations and battles, intertwined into the soul.

Rousing ‘Avengers: Age of Ultron’ Hits Modern Society’s Central Nervous System

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGOLook. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

Big Spectacle, Small Heart in ‘The Amazing Spider-Man 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – For a film with so much eye candy that it threatens ocular diabetes, “The Amazing Spider-Man 2” is decidedly low in story rhythm and energy – even with a villain named Electro. The story also has the “three villain syndrome,” which allows for a lack of focus and heart.

Near-Perfect ‘Captain America: The Winter Soldier’ Defies Common Sequel Disappointment

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If the original is anything to applaud, the sequel usually isn’t. And even more rarely is the sequel actually better.

While it’s aggressive to market “Captain America: The Winter Soldier” as one of the “best superhero movies of all time” and more realistic to pitch it as “better than ‘The Avengers,’” it most certainly is 2014’s best action flick yet and it definitely defies common sequel disappointment.

Forced ‘Thor: The Dark World’ Sequel Lacks Passion, Sci-Fi Basis

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.

Geekdom Celebrated in ‘Comic-Con Episode IV: A Fan’s Hope’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Say the words “San Diego Comic-Con” to a certain comic geek subculture and suddenly heart rates are up and anticipation is in the air. The documentary maker Morgan Spurlock (“Supersize Me”) seeks to capture that feeling in “Comic-Con Episode IV: A Fan’s Hope,” with help from Seth Rogen, Kevin Smith, Stan Lee, Thomas Jane, Josh Whedon, Seth Green and Matt Groening.

‘The Incredible Hulk’ Indeed Jacked Up on CGI Roids, But Medusa’s in His Face

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Technology has done double-edged service and disservice to the legendary Hulk superhero character from Stan Lee’s Marvel Comics.

In peering at the CGI-created ripped body of nothing remotely reminiscent of Edward Norton, the 2008 film iteration of “The Incredible Hulk” has a leg light years up on Lou Ferrigno’s character in the 1978 television series of the “The Incredible Hulk”.

Syndicate content

User Login

Free Giveaway Mailing


  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


HollywoodChicago.com on Twitter


HollywoodChicago.com Top Ten Discussions