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Shrek

‘Puss in Boots’ Coasts Through Familiar Animated Antics

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Animated family films have made a pact with their audience. For our participation – and extra 3D glasses fee – they deliver the latest in computer generated eye candy, familiar voice talent and heroes that always win while making pop culture references. Antonio Banderas is “Puss in Boots.”

Lazy, Uninspired ‘Shrek Forever After’ With Mike Myers, Cameron Diaz

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The laziest big budget film of the year, “Shrek Forever After” is the worst kind of family entertainment in that it relies solely on the goodwill engendered by the hit movies that came before to not only get audience members in seats this weekend but to sell them toys, video games, and tickets to amusement parks.

It’s Eddie Murphy Inside Eddie Murphy in Made-For-Children Sci-Fi Comedy ‘Meet Dave’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The longtime career of Eddie Murphy has lately taken an interesting turn.

After a meteoric career with huge box-office comedies, Murphy has steered toward more family oriented fare (“Daddy Day Care,” the “Shrek” movies, etc.) before his Oscar-nominated performance in “Dreamgirls”. After the stumble of 2007’s “Norbit,” Murphy has again returned this summer in kid-friendly mode with “Meet Dave”.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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