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Selma Blair

Horror Hits Home in Disturbing ‘In Their Skin’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The set-up for the domestic horror of “In Their Skin” immediately brings to mind excellent thrillers like Michael Haneke’s “Funny Games,” David Moreau & Xavier Palud’s “Them,” and Bryan Bertino’s underrated “The Strangers.” There’s something inherently terrifying about being assaulted in a place you consider safe – your home. When home is no longer protected, what is?

Todd Solondz’s ‘Dark Horse’ Brilliantly Deconstructs Man-Child Pathology

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Todd Solondz has always been prone to making films about people that most filmmakers wouldn’t touch with a ten-foot pole. His characters crave love but are the opposite of lovable. They inspire the sort of laughter spawned not from amusement but from discomfort, sadness, and occasionally, recognition. It’s refreshing to see characters utterly devoid of pre-packaged, studio-approved appeal.

Following ‘Pan’s Labyrinth,’ ‘Hellboy II: The Golden Army’ Regresses From Best to Worst For Guillermo del Toro

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Hellboy is plugged as the world’s brawniest, kitten-loving superhero. While that paradox is supposed to be both funny and action packed, “Hellboy II: The Golden Army” from famed writer and director Guillermo del Toro falls flat on the funny front and instead winds up on the funny farm.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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