CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
Seann William Scott
CHICAGO – “American Reunion” is not unlike the event from which it takes its title. Some of it rekindles memories of what worked in the past in a nostalgic, even sweet way. Some of it reminds one what they liked about these people in the first place. Some of it is just sad. Ultimately, it’s too inconsistent a movie to recommend in any way even if Seann William Scott and Eugene Levy pull every weapon from their comedy arsenals to try and save it. It’s a stale piece of pie.
CHICAGO – Seann William Scott gives a surprisingly engaging, even sweet performance as the title character in the brutal, raunchy hockey comedy “Goon,” written by “Superbad” scribe Evan Goldberg and comedy actor Jay Baruchel. This “Slap Shot meets Fight Club” is a definite must-see for hockey fans but feels a little too slight for everyone else. Still, there’s a lot to like here, especially for those who want an interesting alternative On Demand (it’s already available there and opening in Chicago theaters today, March 30th, 2012).
CHICAGO – Unlike the world, “Southland Tales” starts with a bang but ends with a whimper. Richard Kelly’s opus of a film is little more than sensory overload meant to look like a political statement on the state of privacy, the war, news, entertainment and celebrities.
CHICAGO – Just from eyeing the “Mr. Woodcock” movie poster, you could suspect exactly what the movie will be. Just 90 minutes later, your suspicions would be confirmed.