CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
Seann William Scott
CHICAGO – “American Reunion” is not unlike the event from which it takes its title. Some of it rekindles memories of what worked in the past in a nostalgic, even sweet way. Some of it reminds one what they liked about these people in the first place. Some of it is just sad. Ultimately, it’s too inconsistent a movie to recommend in any way even if Seann William Scott and Eugene Levy pull every weapon from their comedy arsenals to try and save it. It’s a stale piece of pie.
CHICAGO – Seann William Scott gives a surprisingly engaging, even sweet performance as the title character in the brutal, raunchy hockey comedy “Goon,” written by “Superbad” scribe Evan Goldberg and comedy actor Jay Baruchel. This “Slap Shot meets Fight Club” is a definite must-see for hockey fans but feels a little too slight for everyone else. Still, there’s a lot to like here, especially for those who want an interesting alternative On Demand (it’s already available there and opening in Chicago theaters today, March 30th, 2012).
CHICAGO – Unlike the world, “Southland Tales” starts with a bang but ends with a whimper. Richard Kelly’s opus of a film is little more than sensory overload meant to look like a political statement on the state of privacy, the war, news, entertainment and celebrities.
CHICAGO – Just from eyeing the “Mr. Woodcock” movie poster, you could suspect exactly what the movie will be. Just 90 minutes later, your suspicions would be confirmed.