Sam Raimi

‘The Jungle Book’ is a Technical Marvel Missing Some Magic

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – While Disney Studios’ new live action version of “The Jungle Book” is an improvement over the 1967 animated version, it’s more of a technical marvel than magical fable. And it’s unable to completely transcend the earlier version’s limitations.

‘Poltergeist’ Remake Has a Soul of Its Own

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Whether it’s the 1982 original or the remake just released in theaters today to the wrath of numerous fans, the lesson of “Poltergeist” remains the same: Don’t do a half-assed job when relocating skeletons for corporate greed, or suffer the supernatural consequences. Fear not, however, as this is one remake that doesn’t just dress up a nostalgic skeleton for the modern horror crowd, but one that reminisces, and looks forward, with a mostly intelligent, genuine heart.

Story Dims Visionary ‘Oz the Great and Powerful’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Oz the Great and Powerful” is a great and powerful visual and 3D experience. It expands the landscape of what cinema can produce in a visceral and evolutionary way. But a great film also needs a great story, and this Land of Oz tale is not equivalent to the awe-inspiring imagery.

Real-Life Backstory of ‘The Possession’ More Titillating Than Cinematic Dybbuk Dramatization

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – A film marketing itself as being “based on a true story” doesn’t hold the same teeth it once did. With truly original stories a financial high risk for Hollywood and many films leaning toward being based on a best-selling novel, the genre that is based on a true story or “inspired by true events” has increasingly taken creative liberties.

Sam Raimi Returns to Horror Genre With Thrilling ‘Drag Me to Hell’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The gleefully gory Sam Raimi who made “Evil Dead 2: Dead by Dawn” and “Darkman” is back in close to prime form with this week’s thoroughly enjoyable “Drag Me To Hell,” a horror thrill ride almost certain to satisfy any audience member willing to choose a movie with “Hell” in the title over the latest Pixar offering.

Ellen Page’s ‘Smart People’ Only as Scholarly as Zealous Senior in High School

HollywoodChicago.com Oscarman rating: 2.5/5CHICAGO – I’m flummoxed. I know “Smart People” was supposed to be comedic drama with a splash of romance. Instead, I have been misled. It’s not a comedy. It’s not a tragedy. It’s not even a tragicomedy.

Tobey Maguire ‘Black’ in Action in Venomously Conflicted ‘Spider-Man 3’

Rating: 3.5/5CHICAGO – At the heart of every great film is a good conflict. In Spidey’s third advent, his heart is venomously conflicted and so is the film.

The film gets gargantuan props on its special effects. Of course, the entertaining visual acuity is expected and is no surprise.

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  • It's NOT ALL About You John Michael

    CHICAGO – John Michael epitomizes the art of the monologue. The Chicago transplant, by way of Dallas, is moving on (he says temporarily) from the city that inspired his last show, “Meatball Seance,” after notorious and successful runs of his other one-man shows, “John Michael and the Order of the Penix” and “Dementia Me.” His farewell performance is his latest, another laugh riot, “It’s NOT ALL About You John Michael,” and will take place at Mary’s Attic in Chicago’s Andersonville neighborhood on March 1st, 2019. Click here for details, including ticket information.

  • Soccer Player in the Closet, The 2

    CHICAGO – Connecting to the theater collective Nothing Without a Company means a couple of things. One, you may visit parts of Chicago you’ve never seen before – in this case a plant store in an industrial area south of Humboldt Park – and two, you will see some daring and outside-the-box stagings. “The Soccer Player in the Closet” is their latest production – a World Premiere – and it provides what the title implies and beyond. The play runs through March 17th, 2019. Click here for more details, including ticket information.

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