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Romany Malco

‘When the Bough Breaks’ is in Need of Repairs

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Popular nursery rhymes are told to children as a way to calm them, but also as some kind of cautionary tale. Most of us could hear the melody and be able to sing the words along with it. This predictability is both its greatest strength and weakness, but the predictability that is the nursery cautionary tale in “When the Bough Breaks” is anything but a strength.

Strong Ensemble Carries Funny ‘Think Like a Man’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tim Story’s ‘Think Like a Man’ can be a frustrating film but the overall likeability of the cast and the inclusion of some of the often-missing elements from relationship movies (like chemistry and believable friendship dynamics) overcome the movie’s flaws. It’s a movie that could have been better but works on its own terms – it’s funny, clever, and even sweet. It’s not going to change the romantic comedy landscape but so many films in this slumping genre fail spectacularly and no one can say that about “Think Like a Man.”

Uproarious, Talent-Packed ‘The Love Guru’ a Script of Destiny From Funnyman Mike Myers

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Commendably co-written by Mike Myers (who also wrote characters for 2002’s “Austin Powers in Goldmember” and 1999’s “Austin Powers: The Spy Who Shagged Me”), you know lines like “sheket bevakasha” came directly from his bowels.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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