CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – This is what happens when passionate filmmakers come into a known movie project – with an obvious love for the previous stories and characters – and create a new chapter that both evolves and honors its source. “Creed” does all of that, and gives the beloved Rocky Balboa one more time in the spotlight.
After 19 Years, ‘Indiana Jones and the Kingdom of the Crystal Skull’ Phenomenally Exhumes Venerated RootsSubmitted by HollywoodChicago.com on May 21, 2008 - 11:00pm
CHICAGO – After such a long respite from the beloved film progression, I was initially just as skittish about seeing Harrison Ford back in the Indy saddle as I was watching Sylvester Stallone back in the ring in “Rocky Balboa” in his 2006 comeback and then again in 2008 in his “Rambo” return.
CHICAGO – The best quality about the fourth “Rambo” is its “Rambo” authenticity. The worst quality about the fourth “Rambo” is its “Rambo” authenticity.