CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – This is what happens when passionate filmmakers come into a known movie project – with an obvious love for the previous stories and characters – and create a new chapter that both evolves and honors its source. “Creed” does all of that, and gives the beloved Rocky Balboa one more time in the spotlight.
After 19 Years, ‘Indiana Jones and the Kingdom of the Crystal Skull’ Phenomenally Exhumes Venerated RootsSubmitted by HollywoodChicago.com on May 22, 2008 - 12:00am
CHICAGO – After such a long respite from the beloved film progression, I was initially just as skittish about seeing Harrison Ford back in the Indy saddle as I was watching Sylvester Stallone back in the ring in “Rocky Balboa” in his 2006 comeback and then again in 2008 in his “Rambo” return.
CHICAGO – The best quality about the fourth “Rambo” is its “Rambo” authenticity. The worst quality about the fourth “Rambo” is its “Rambo” authenticity.