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Rob Schneider

Katherine McPhee Nearly Saves ‘You May Not Kiss the Bride’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Rob Hedden’s “You May Not Kiss the Bride” with Dave Annable, Katharine McPhee, and Rob Schneider is the kind of modest romantic comedy with wacky hijinks and likable central characters that one typically stumbles upon in a video store or when cycling through new On Demand options. Before that happens, the mediocre honeymoon from hell pic is getting a minor theatrical release in some markets, including Chicago, starting this weekend. The charisma and comic timing of the film’s female leads make up for some of the screenwriting rough patches but not enough to justify a trip to the theater.

Adam Sandler, Kevin James Act Like Children in ‘Grown Ups’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It may be called “Grown Ups,” but too much of the new Adam Sandler ensemble comedy feels like it was written by an eight-year-old boy. The believable friendship chemistry that Sandler has with co-stars Kevin James, Chris Rock, David Spade, and Rob Schneider significantly ups the entertainment value, but “Grown Ups” could have and should have been much better.

Adam Sandler is White Ladies Man in Judd Apatow’s ‘You Don’t Mess With the Zohan’

HollywoodChicago.com Oscarman rating: 3.5/5
Rating: 3.5/5.0

CHICAGO – In the relatively anemic anthology of recent Adam Sandler flops, “You Don’t Mess with the Zohan” hangs above with comedic charm and a nonsensically amusing plotline. The story is divisively intermingled with racial and ethnic sensitivities between the Israelis and Palestinians.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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