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Peter Dinklage

Instead of Geeky Greatness, Adam Sandler Sucks the Soul Out of a Badly Miscast ‘Pixels’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The epitome of an idea that far outweighs its execution, “Pixels” is a bittersweet blunder that had all of the elements to be geeky great but ends up being cheesy mediocre. I could literally feel its potential for 105 minutes, but the $88 million film ultimately fails to realize it.

‘X-Men: Days of Future Past’ Dares to Richly Invest in Story First, CGI Second

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – After a string of superhero movie disappointments in recent memory, last month “Captain America: The Winter Soldier” renewed our faith in Hollywood blockbusters once again. Just 7 weeks later, can “X-Men: Days of Future Fast” impress us again?

Complex, Wow-Inducing ‘X-Men: Days of Future Past’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Although a post graduate degree in space/time continuum studies may be necessary for maximum enjoyment, “X-Men: Days of Future Past” still delivers a comic book wham-bam, and the series continues its exploration of recent history through the prism of a mutant universe.

‘Ice Age: Continental Drift’ Sucks Remaining Life From Franchise

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The families who get suckered into the truly horrendous “Ice Age: Continental Drift” should be angry. Not only does it fail when compared to the best animation of the year (“Madagascar 3: Europe’s Most Wanted,” “The Pirates! A Band of Misfits,” “The Secret World of Arrietty,” “Brave”) but it’s less entertaining than most children’s television.

‘Snow White and the Huntsman’ Dwarfed By Comatose Kristen Stewart, Melodramatic Charlize Theron

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If you can stomach forgiving the film’s uneven acting, inconsistent pacing and a higgledy-piggledy script that feels like it’s still in draft mode, just zero in on the only newsworthy question about “Snow White and the Huntsman”: Who are those “dwarves”?

Kate Hudson Reveals Hell in ‘A Little Bit of Heaven’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Kate Hudson portrays a dying woman in “A Little Bit of Heaven,” and the film is so annoying that her extinguishment can’t come fast enough. The film insults both living and dying, and virtually everything in between, and brings along Lucy Punch, Kathy Bates, Gael Garciá Bernal, Peter Dinklage and Whoopi Goldberg for the funeral.

Chris Rock, Martin Lawrence Are Stiff in Tepid ‘Death at a Funeral’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When some of the funniest comedians in the business – Chris Rock, Martin Lawrence, Tracy Morgan – can’t deliver a absurdist comedy about family secrets, then there truly is “Death at a Funeral.”

Packed With Picturesque Majesty, ‘The Chronicles of Narnia: Prince Caspian’ Fights Nobly For ‘PG’ Rating

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – For the life of me, I couldn’t exorcise it from my head. Amid all the splendor of such a picturesque film, this one question was like a gnat I couldn’t swat: “Is this really rated ‘PG’?” Indeed, “The Chronicles of Narnia: Prince Caspian” is rated “PG”. But that didn’t come without great scrutiny and much editing.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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