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Paul W.S. Anderson

The Book (Finally) Closes on ‘Resident Evil: The Final Chapter’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Guilty pleasures are the order of the day, especially when we are facing daily signs of a real, impending apocalypse. End of the world by zombies remains one of the most popular cataclysmic cinematic events and “Resident Evil” is proof. “Resident Evil: The Final Chapter” proves that what should be dead can come back to life, but the real question is if it actually should.

Explosive Conclusion is the Fate for ‘Pompeii’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – For a film in which everyone knows the ending walking in, “Pompeii” creates a decent good-versus-evil precursor to the volcanic big bang, and enough sword and sandals style fight sequences to provide some action. It all comes down to an active volcano, in modern digital design and 3D.

In Purely Exploiting Gratuitous Violence, Paul W.S. Anderson’s ‘Death Race’ Remake Kills All Comedic Value

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – While 2008’s “Death Race” makes no secret about being a remake of 1975’s “Death Race 2000” with David Carradine as the title character Frankenstein and Sylvester Stallone as his archrival Machine Gun Joe Viterbo, what’s perhaps less obvious but still clear is how the film steals from others.

‘Resident Evil: Extinction’ Screams Readiness For Franchise Extinction

HollywoodChicago.com Oscarman rating: 1/5AUSTIN, Texas – “Resident Evil: Extinction,” which opens on Friday and to the dismay of many critics didn’t screen across the U.S., is yet another cineplex excursion that’s beneath conte

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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