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Paul W.S. Anderson

Explosive Conclusion is the Fate for ‘Pompeii’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – For a film in which everyone knows the ending walking in, “Pompeii” creates a decent good-versus-evil precursor to the volcanic big bang, and enough sword and sandals style fight sequences to provide some action. It all comes down to an active volcano, in modern digital design and 3D.

In Purely Exploiting Gratuitous Violence, Paul W.S. Anderson’s ‘Death Race’ Remake Kills All Comedic Value

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – While 2008’s “Death Race” makes no secret about being a remake of 1975’s “Death Race 2000” with David Carradine as the title character Frankenstein and Sylvester Stallone as his archrival Machine Gun Joe Viterbo, what’s perhaps less obvious but still clear is how the film steals from others.

‘Resident Evil: Extinction’ Screams Readiness For Franchise Extinction

HollywoodChicago.com Oscarman rating: 1/5AUSTIN, Texas – “Resident Evil: Extinction,” which opens on Friday and to the dismay of many critics didn’t screen across the U.S., is yet another cineplex excursion that’s beneath conte

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  • Ride Along with Ice Cube

    CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.

  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

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