CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
Paul W.S. Anderson
CHICAGO – For a film in which everyone knows the ending walking in, “Pompeii” creates a decent good-versus-evil precursor to the volcanic big bang, and enough sword and sandals style fight sequences to provide some action. It all comes down to an active volcano, in modern digital design and 3D.
In Purely Exploiting Gratuitous Violence, Paul W.S. Anderson’s ‘Death Race’ Remake Kills All Comedic ValueSubmitted by HollywoodChicago.com on August 22, 2008 - 1:23pm
CHICAGO – While 2008’s “Death Race” makes no secret about being a remake of 1975’s “Death Race 2000” with David Carradine as the title character Frankenstein and Sylvester Stallone as his archrival Machine Gun Joe Viterbo, what’s perhaps less obvious but still clear is how the film steals from others.
AUSTIN, Texas – “Resident Evil: Extinction,” which opens on Friday and to the dismay of many critics didn’t screen across the U.S., is yet another cineplex excursion that’s beneath conte