CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – There was a day not that long ago when it felt like Nick Stahl was the next rising star. He delivered nuanced performances in films and on HBO’s “Carnivale” that led one to believe there was potential for stardom. “The Thin Red Line,” “In the Bedroom,” “Bully” — he was going somewhere in the early ’00s, but he was derailed into basically nothing but straight-to-video junk like “Mirrors 2” since 2005’s “Sin City.”
CHICAGO – When done improperly, there’s nothing more embarrassing than actors playing against their type or social class. There is a subtlety to channeling the lower middle or the working class beyond dressing down or developing a bad hairstyle. “Sleepwalking” is the type of film that gets it wrong and just gets worse as it tries harder.