Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – One of the most shocking developments at yesterday’s Oscar nominations was the widespread inclusion of one of international cinema’s most controversial directors, Michael Haneke (“Caché,” “The White Ribbon”). His newest film, “Amour,” opening in Chicago theaters today, was nominated for Best Director, Best Original Screenplay, Best Actress, Best Foreign Language Film, and Best Picture of the Year.
CHICAGO – Imagine a film with no redeeming or uplifting emotional qualities with evil that tortures the soul, squirm-inducing narrative elements and a relentless anxiety that practically has us – like the characters in the film – screaming for mercy. Imagine also that this film is excellent.