CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.
Matt Damon
‘Interstellar’ is Supposed to Mean Something, But What?
Submitted by PatrickMcD on November 6, 2014 - 2:33pm- 2001: A Space Odyssey
- Anne Hathaway
- Bill Irwin
- Casey Affleck
- Christopher Nolan
- David Gyasi
- Ellen Burstyn
- HollywoodChicago.com Content
- Interstellar
- Jessica Chastain
- John Lithgow
- Mackenzie Foy
- Matt Damon
- Matthew McConaughey
- Michael Caine
- Movie Review
- Paramount Pictures
- Patrick McDonald
- Stanley Kubrick
- Topher Grace
- Wes Bentley
Rating: 3.0/5.0 |
CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.
Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’
Submitted by PatrickMcD on November 5, 2014 - 10:17amRating: 3.0/5.0 |
CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.
‘The Monuments Men’ Has Been Drained of Personality
Submitted by BrianTT on February 6, 2014 - 10:03amRating: 1.5/5.0 |
George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.
Journey to ‘Elysium’ Lacks Sci-fi Smarts
Submitted by BrianTT on August 5, 2013 - 3:27pmRating: 2.5/5.0 |
CHICAGO – “Elysium” is a blunt instrument. It contains all the subtlety of franchise-killer “Terminator: Salvation.” Where Neill Blomkamp’s “District 9” was surprisingly sleek and refined given its low budget and rookie creator, the follow-up proves that more is very often less.
Gus Van Sant’s ‘Promised Land’ Breaks Promise to Audiences
Submitted by mattmovieman on December 28, 2012 - 5:32pmRating: 2.5/5.0 |
CHICAGO – When a Gus Van Sant picture works well, it can be as rousing as “Milk” or as thrillingly experimental as “Elephant.” Few filmmakers have straddled the mainstream and independent realms with such success (Steven Soderbergh would be another). But when a Van Sant film fails, it often fails spectacularly, as proven by “Even Cowgirls Get the Blues” and that notoriously pointless “Psycho” remake.
Matt Damon Closes Deal in ‘We Bought a Zoo’
Submitted by BrianTT on December 22, 2011 - 11:16amRating: 3.5/5.0 |
CHICAGO – Cameron Crowe’s “We Bought a Zoo” is an undeniably manipulative crowd-pleaser but there’s something about being manipulated in such an expert manner that makes the tugging on the heartstrings easier to take. We know what we’re in for when we buy a ticket for a movie about children grieving the loss of their mother, endangered animals, and the healing process through talking to tigers. Most movie goers are smart enough not to expect a deep dose of subtlety.
Fate Doesn’t Fail Them Now in ‘Happy Feet Two’
Submitted by PatrickMcD on November 18, 2011 - 11:07amRating: 3.5/5.0 |
CHICAGO – Dancing animated penguins, a tradition dating back to Disney’s “Mary Poppins” and brought to further life in the first “Happy Feet” movie, finds more stepping pep in “Happy Feet Two.” Robin Williams and Elijah Wood return to lend their vocal talents in this enjoyable sequel.
Anna Paquin Makes Each Moment Count in ‘Margaret’
Submitted by PatrickMcD on October 7, 2011 - 3:42pmRating: 4.0/5.0 |
CHICAGO – The passion of adolescence, so driven by the emerging intellect merged with fierce hormonal obligations, is a subject tailor made for the movies. The drama and distinction in “Margaret” is the nearly perfect portrayal of the main character played by Anna Paquin, against the backdrop of New York City.
Steven Soderbergh’s Riveting ‘Contagion’ With Matt Damon
Submitted by BrianTT on September 8, 2011 - 10:01amRating: 4.5/5.0 |
CHICAGO – A few weeks ago saw the release of the R-rated “Don’t Be Afraid of the Dark,” a gore-free creature feature that was given the MPAA stamp of 17-plus due to “pervasive scariness.” This week sees the PG-13-rated “Contagion,” a film SO much more pervasively scary than the movie about goblins in a distant mansion because, well, it’s about the fact that the world is pervasively scary.
Chemistry of Matt Damon, Emily Blunt Drives ‘The Adjustment Bureau’
Submitted by BrianTT on March 3, 2011 - 8:31pmRating: 4.0/5.0 |
CHICAGO – George Nolfi’s “The Adjustment Bureau,” starring Matt Damon and Emily Blunt, is a nearly-great movie, a rare piece that merges romance and science fiction into something that is at-times mesmerizing. A few hiccups in the screenwriting late in the film hold it back from its true potential but this is still worth a look for genre fans and even those usually uninterested in the genre.