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Man on Wire

Heartfelt Tale of Human Needs in ‘The Theory of Everything’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The life story of iconic physicist Stephen Hawking is given a well-deserved cinematic treatment this weekend with “The Theory of Everything,” an earnest presentation of an existence that defies the usual. As his personal journey required the care-taking of others, the film is not adapted from something Hawking wrote, but from his wife Jane’s personal account, “Traveling to Infinity: My Life with Stephen.”

Fascinating ‘Project Nim’ Chronicles Tragic Failure

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Human beings are an egotistical, power-hungry species. There’s simply no way around it. And if you think any differently, watch James Marsh’s “Project Nim,” a documentary about the rampant egotism of man’s manipulation of another species. Even the urge to learn and teach that’s expressed at the beginning of “Project Nim” is just a disguise for control.

Death-Defying Audacity Walks Between the Twin Towers in New Documentary ‘Man on Wire’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Where have all the true eccentrics gone? Where are all those people who achieve a Zen purpose just because the challenge is there?

“Man on Wire” is a documentary that tells of such a challenge 34 years ago in another place and time.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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